The contemporary print :from pre-pop to postmodern
- 作者: Tallman, Susan.
- 出版: London : Thames and Hudson 1996.
- 稽核項: 304 pages :illustrations (some color) ;28 cm.
- 標題: Prints , Prints 20th century.
- ISBN: 0500236844 , 9780500236840
- 附註: Includes bibliographical references (pages 290-294) and index. Painters and printers -- Johns and Rauschenberg -- Pop and print -- Multiplicity -- Material forms and social functions : 1960s into 1970s -- High tech and the human touch -- Uses of history -- The ethos of the edition.
- 摘要: Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the first time an authoritative critical survey of printed art over the last four decades - an indispensable reference for students, scholars, art professionals, artists, collectors and would-be collectors, examining and illustrating the work of more than 170 artists from 11 countries. Starting from the foundation of Universal Limited Art Editions in 1957, The Contemporary Print explores thoroughly the differing traditions of postwar Europe and America: the brilliant experiments of Johns and Rauschenberg; the Pop explosion; the Multiple; Op art, Minimalism and Serialism; Conceptual artists exploiting the language of photography; the rejection of mechanical slickness in the 1970s; the revival of Expressionism and figuration in the 1980s; and the new energies with which the print continues to influence and intrigue us today, expanding the ways in which we think about art. With a fully detailed catalogue, workshop histories, biographies of all the most prominent artists, and a glossary of print terms, this is a unique and invaluable guide - one of the few essential books for anyone concerned with contemporary art.
- 系統號: 005263940
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Today, not only do the best artists of our time frequently make prints, some of the most highly regarded artworks are prints. More editions are being produced by more artists in greater diversity than at any point in history. This book provides for the first time an authoritative critical survey of printed art over the last four decades - an indispensable reference for students, scholars, art professionals, artists, collectors and would-be collectors, examining and illustrating the work of more than 170 artists from 11 countries. Starting from the foundation of Universal Limited Art Editions in 1957, The Contemporary Print explores thoroughly the differing traditions of postwar Europe and America: the brilliant experiments of Johns and Rauschenberg; the Pop explosion; the Multiple; Op art, Minimalism and Serialism; Conceptual artists exploiting the language of photography; the rejection of mechanical slickness in the 1970s; the revival of Expressionism and figuration in the 1980s; and the new energies with which the print continues to influence and intrigue us today, expanding the ways in which we think about art. With a fully detailed catalogue, workshop histories, biographies of all the most prominent artists, and a glossary of print terms, this is a unique and invaluable guide - one of the few essential books for anyone concerned with contemporary art.
來源: Google Book
來源: Google Book
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