Rhythmic alteration in seventeenth- and eighteenth-century music :notes inegales and overdotting
- 作者: Hefling, Stephen E.
- 出版: New York : Schirmer Books c1993.
- 稽核項: xvi, 232 p. :ill., music ;25 cm.
- 標題: Performance practice (Music) 17th century. , Notes inegales. , Musical meter and rhythm. , Performance practice (Music) 18th century. , Performance practice (Music)
- ISBN: 0028710355 , 9780028710358
- 附註: Includes bibliographical references (p. 201-223) and index.
- 系統號: 005103464
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Notes inegales is the historical name of the French practice, prevalent from 1690 to 1780, of performing diminution-like passages as uneven pairs of notes despite their notation in equal values. "Overdotting" (a modern term) designates the Baroque custom of rendering certain dotted rhythms longer than their notation indicates. Appropriate adoption of both practices in performance requires that the performer weigh a wide range of interrelated variables, including tempo, articulation, and national musical styles.
來源: Google Book
來源: Google Book
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