French motets in the thirteenth century :music, poetry, and genre
- 作者: Everist, Mark.
- 出版: Cambridge [England] : Cambridge University Press 1994.
- 稽核項: xiv, 199 p. :music ;26 cm.
- 叢書名: Cambridge studies in medieval and Renaissance music
- 標題: Part-songs, French 500-1400 -- History and criticism. , Motet , Part-songs, French , History and criticism. , Motet France -- 500-1400.
- ISBN: 0521395399 , 9780521395397
- 附註: Includes bibliographical references and indexes.
- 系統號: 005110435
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This is the first full-length study of the vernacular motet in thirteenth-century France. The motet was the most prestigious type of music of that period, filling a gap between the music of the so-called Notre-Dame School and the Ars Nova of the early fourteenth century. This book takes the music and the poetry of the motet as its starting-point and attempts to come to grips with the ways in which musicians and poets treated pre-existing material, creating new artefacts. The book reviews the processes of texting and retexting, and the procedures for imparting structure to the works; it considers the way we conceive genre in the thirteenth-century motet, and supplements these with principles derived from twentieth-century genre theory. The motet is viewed as the interaction of literary and musical modes whose relationships give meaning to individual musical compositions.
來源: Google Book
來源: Google Book
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