From Pissarro to Picasso :color etching in France : works from the Bibliothèque nationale and the Zimmerli Art Museum

• 作者: Cate, Phillip Dennis.
• 其他作者: Grivel, Marianne. , Bibliothèque nationale (France) , Jane Voorhees Zimmerli Art Museum. , Rijksmuseum Vincent van Gogh.
• 出版: [New Brunswick, N.J.] :Paris : Zimmerli Art Museum ;Flammarion ©1992.
• 稽核項: 198 pages :illustrations (some color) ;32 cm.
• 標題: Etching, French , Etching, French 19th century -- Exhibitions. , Color prints, French , Color prints, French 19th century -- Exhibitions. , Color prints, French 20th century -- Exhibitions. , Etching, French 20th century -- Exhibitions.
• ISBN: 2080135384 , 9782080135384
• 附註: Exhibition held Sept. 27-Nov. 29, 1992 at the Zimmerli Art Museum, Rutgers, New Brunswick, N.J.; Feb. 12-Apr. 18, 1993 at Vincent Van Gogh Museum, Amsterdam; June 5-Sept. 15, 1993 at Bibliothèque nationale, Paris. Includes bibliographical references (page 196) and index. Introduction: The Origins and Renaissance of Color Etching / Marianne Grivel -- I. From Pissarro to Picasso: The Revival of Color Etching in France / Phillip Dennis Cate. 1873-91: Early Experiments in Color Etching. Breaking the Color Barrier. The Influence of Japan. The Influence of Eugene Delatre. Color Etching in Fin-de-siecle Montmartre. New Tendencies at the Turn of the Century -- II. The Expansion of Color Etching in Paris / Marianne Grivel. 1895-1914: The Role of Publishers and Dealers. The Role of Etching Societies. Color Etching at the Salon. The Role of the State. The Triumph of Commercial Etching.
• 摘要: Color etching flowered in France in the years 1885 to 1910, breaking the centuries-long tradition of artistic printmaking as an exclusively black and white medium. Its development was encouraged primarily by a renewed interest in eighteenth-century printmaking techniques and by the discovery of Japanese woodblock prints whose methods of composition and juxtaposition of unmixed areas of color demonstrated the dramatic and highly decorative effects that could be achieved by the superimposition of colored inked plates on a single sheet of paper. Although color etching began as an art form restricted to a small circle of artists working in Paris who were attracted to its intimacy and technical demands, its great aesthetic potential spawned a movement of considerable consequence by the turn of the century, especially for the circle of young, avant-garde artists including Jacques Villon, Joaquin Sunyer, Francis Jourdain, and Theophile Steinlen, who gathered around the master printmaker Eugene Delatre in Montmartre during the 1890s. By depicting life in the streets, cabarets and cafes of Paris, these artists fully exploited the creative possibilities of the color etching technique, producing subtly colored prints that were charged with atmosphere. Through a selection of works drawn from the collections in the Bibliotheque Nationale in Paris and the Zimmerli Art Museum at Rutgers University. Phillip Dennis Cate and Marianne Grivel explore the origin and expansion of color etching in France, tracing its development within the nineteenth-century renaissance of printmaking in France and analyze its aesthetic evolution in relation to major artistic movements such as Impressionism and Symbolism. Extensive artists' biographies and a complete list of the works of art illustrated make this an essential study for collectors, students, and for all those interested in late nineteenth-century French art.
• 系統號: 005110834
• 資料類型: 圖書
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• 引用網址: 複製連結
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