資料來源: Google Book

Screening the text :intertextuality in new wave French cinema

To make his case, Kline establishes the international range of the literary and cultural texts "screened" by Truffaut, Malle, Chabrol, Rohmer, Bresson, Godard, and Resnais. Their fascination with American film is well known, but their references extend well beyond--to classical mythology, to contemporary and classical French literature, and to a variety of Russian, Norwegian, German, and English writers and philosophers. Armed with terms such as auteur and camera stylo, the new cineastes engaged directly in "film writing," even while rejecting the orderliness required by straightforward adaptation of written works.
來源: Google Book
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