Music criticism in Vienna, 1896-1897 :critically moving forms
- 作者: McColl, Sandra.
- 出版: Oxford : Clarendon Press 1996.
- 稽核項: xiv, 246 p. :ill. ;24 cm.
- 叢書名: Oxford monographs on music
- 標題: History and criticism. , Musical criticism Austria -- Vienna. , Philosophy and aesthetics. , Vienna (Austria) History -- 19th century. , Musical criticism , Vienna (Austria) , Music , Music Philosophy and aesthetics. , Music Austria -- Vienna -- 19th century -- History and criticism. , History
- ISBN: 0198165641 , 9780198165644
- 附註: Includes bibliographical references (p. 229-232) and index.
- 系統號: 005120861
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Music Criticism in Vienna records a culture in which musical criticism had achieved the status of a minor art form. The period covered - October 1896 to December 1897 - was an eventful time in Vienna. Bruckner died, then Brahms; Mahler arrived; premieres of works by Czech composers coincidedwith increasing tension in the Empire between Czechs and Germans; Puccini's La Boheme reached Vienna on its sensational progress around the world; and the great programme music debate continued. These events and issues were recorded and debated by some two dozen critics ranging from Eduard Hanslick,widely credited with (and blamed for) raising music criticism to an art, to Heinrich Schenker. The focus of Sandra McColl's monograph is unashamedly on the critics themselves, and her reconstruction of the climate of debate about whatever music or musicians came to their notice. She illuminates theintellectual climate in which the music was created, performed and received, and provides a foundation for the study of musical criticism in the post-Hanslick generation.
來源: Google Book
來源: Google Book
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