Aesthetics and the art of musical composition in the German Enlightenment :selected writings of Johann Georg Sulzer and Heinrich Christoph Koch
- 作者: Sulzer, Johann Georg,
- 其他作者: Baker, Nancy Kovaleff, , Christensen, Thomas Street. , Koch, Heinrich Christoph,
- 出版: Cambridge [England] : Cambridge University Press 1995.
- 稽核項: xii, 210 p. :music ;24 cm.
- 叢書名: Cambridge studies in music theory and analysis ;7
- 標題: Composition (Music) , Music , Composition (Music) Early works to 1800. , Philosophy and aestheticsEarly works to 1800. , Early works to 1800. , Music Philosophy and aesthetics -- Early works to 1800. , Enlightenment , Enlightenment Germany.
- ISBN: 0521360358 , 9780521360357
- 附註: Translation of: Allgemeine Theorie der schonen Kunste. Includes bibliographical references and index. pt. 1. General theory of the fine arts : (1771-4), selected articles / Johann Georg Sulzer -- pt. 2. Introductory essay on composition : vol. II (1787) / Heinrich Christoph Koch.
- 系統號: 005123532
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Can an abstract theory of Empfindsamkeit aesthetics have any value to a musician wishing to study composition in the classical style? The eighteenth-century German theorist and pedagogue Heinrich Koch showed how this question could be answered with a resounding yes. Starting with the systematic aesthetic theory of the Swiss encyclopedist Johann Sulzer, Koch was creatively able to adapt Sulzer's conservative ideas on ethical mimesis and rhetoric to concrete problems of music analysis and composition. In this collaborative study, Thomas Christensen and Nancy Baker have translated and analysed selected writings of Sulzer and Koch respectively, bringing to life a little-known confluence of philosophical and musical thought from the German Enlightenment. Koch's appropriation of Sulzer's ideas to the service of music represents an important development in the evolution of Western musical thought.
來源: Google Book
來源: Google Book
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