附註:Includes bibliographical references (p. [145]-159) and index.
The contradictions of creation -- The people's music, 1935-1936 -- Expansion, curtailment, and attack, 1937-1938 -- The only response : expanded exposure -- Gettysburg : an opera for the people -- Evaluation and participation : American composers and the FMP -- Exposure, not equality : black musicians and the FMP -- Stepdaughters of Orpheus : women musicians and the FMP -- Bringing in all the people : Hispanics, gypsies, and cowboys -- An end of it all.
