Authenticity and early music :a symposium
- 其他作者: Kenyon, Nicholas,
- 出版: Oxford ;New York : Oxford University Press 1988.
- 稽核項: xv, 219 p. ;22 cm.
- 標題: Performance practice (Music) , Style, Musical Congresses. , Music , Music History and criticism -- Congresses. , Performance practice (Music) Congresses. , Style, Musical , History and criticismCongresses. , Congresses.
- ISBN: 0198161530 , 9780198161530
- 附註: Includes bibliographical references and index.
- 系統號: 005013934
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Nothing has more profoundly influenced the development of music making over the last two decades than the growth of the historical performance movement. Perceived by some as a threat, an indication of our loss of faith in our powers of musical creation, and by others as part of the evolution of modern attitudes towards performing styles, this trend towards "historically correct" interpretation has inspired lively debate among scholars and performers. Examining and questioning the prevailing basis for the so-called "authenticity" movement, this collection of papers deals with the conflict between approaching early music performance with respect for the composer's original intentions, and the shortcomings, according to many musicians, that this produces. The contributors include Gary Tomlinson, Will Crutchfield, Howard Mayer Brown, Robert Morgan, Philip Brett, and Richard Taruskin.
來源: Google Book
來源: Google Book
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