Colonialism and nationalism in Asian cinema
- 其他作者: Dissanayake, Wimal.
- 出版: Bloomington : Indiana University Press c1994.
- 稽核項: xxix, 224 p. ;25 cm.
- 標題: Motion pictures , Political aspects , Motion pictures Asia. , Motion pictures Political aspects -- Asia.
- ISBN: 0253208955 , 9780253208958
- 附註: Includes bibliographical references and index. Warring bodies / Patricia Lee Masters -- The "peace dividend" in Japanese cinema / Marie Thorsten Morimoto -- Ideology of the body in Red sorghum / Yingjin Zhang -- A nation t(w/o)o : Chinese cinema(s) and nationhood(s) / Chris Berry -- Korean cinema and the New realism / Isolde Standish -- Melodramas of Korean national identity : from Mandala to Black republic / Rob Wilson -- Vietnamese cinema / John Charlot -- Cinema and nation : dilemmas of representation in Thailand / Annette Hamilton -- National cinema, national culture : the Indonesian case / Karl G. Heider -- The representation of colonialism in Satyajit Ray's The Chess players / Darius Cooper -- Cinema, nationhood and cultural discourse in Sri Lanka / Wimal Dissanayake -- The end of the National project? : Australian cinema in the 1990s / Graeme Turner.
- 系統號: 005136243
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
" . . . an important collective work for communication practitioners, students, and scholars who want to have a deeper understanding of film making in Asia and of the promotion of nationalism through communication." —Media Asia " . . . a momentous contribution to the study of colonialism and postcoloniality in Asia . . . " —The Journal of Asian Studies "This is an excellent model for studies in how the popular, art, and experimental cinemas function in the consideration of nationhood as a configuration of symbols. . . . This anthology provides an interesting discussion by offering a theoretical framework from which to examine the complex topics of nation, state, identity formation, and collective history in the realm of cinema. It becomes an even more effective tool by playing itself out within a diverse Asian context." —Afterimage Essays examine the representation of the interlocking discourses of nationhood and history in Asian cinema, dealing with film traditions in Japan, China, Taiwan, Korea, Vietnam, Thailand, Indonesia, India, Sri Lanka, and Australia.
來源: Google Book
來源: Google Book
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