資料來源: Google Book
Harmony and counterpoint :ritual music in Chinese context
- 其他作者: Yung, Bell. , Rawski, Evelyn Sakakida. , Watson, Rubie S.
- 出版: Stanford, Calif. : Stanford University Press c1996.
- 稽核項: xii, 323 p. :ill., music ;24 cm.
- 標題: Rites and ceremonies China. , Religious aspects. , Music China -- Religious aspects. , Music , Rites and ceremonies
- ISBN: 0804726582 , 9780804726580
- 附註: Includes bibliographical references (p. [263]-285) and index. The nature of Chinese ritual sound / Bell Yung -- Ritual and musical politics in the court of Ming Shizong / Joseph S.C. Lam -- State sacrificial music and Korean identity / Robert C. Provine -- Musical assertion of status among the Nexi of Lijiang County, Yunnan / Helen Rees -- Chinese bridal laments : the claims of a dutiful daughter / Rubie S. Watson -- Processional music in traditional Taiwanese funerals / Ping-Hui Li -- The creation of an emperor in eighteenth-century China / Evelyn S. Rawski -- Singing to the spirits of the dead : a Daoist ritual of salvation / Judith Magee Boltz -- Ritual opera and the bonds of authority : transformation and transcendence / Ellen R. Judd.
- 系統號: 005137221
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This volume of nine essays draws together leading scholars in anthropology, social history, musicology, and ethnomusicology to address the roles and functions of music in the Chinese ritual context. How does music, one of a constellation of essential performative elements in almost all rituals, empower an officiant, legitimate an officeholder, create a heightened state of awareness, convey a message, or produce a magical outcome, a transition, a transformation? After an introduction by the volume editors, Bell Yung proposes a theoretical framework for dealing with Chinese ritual sound. A group of three essays focuses on the music for rituals that create political and social legitimacy followed by a second group of essays considering the music associated with rites of passage. Two essays then deal with the music accompanying rituals of propitiation. In all these cases, music is seen to play a critical role, if not the core of the ritual.
來源: Google Book
來源: Google Book
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