The making of Rubens
- 作者: Alpers, Svetlana.
- 出版: New Haven : Yale University Press c1995.
- 稽核項: viii, 178 p. :ill. (some col.) ;22 cm.
- 標題: Rubens, Peter Paul, Sir, 1577-1640 Criticism and interpretation. , Criticism and interpretation. , Rubens, Peter Paul,
- ISBN: 0300067445 , 9780300067446
- 附註: 九十三年度教育部「輔導新設國立大學健全發展計畫」藏書. Includes bibliographical references (p. 158-174) and index.
- 系統號: 005014922
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The second problem is that of art and its consumption. Beginning with Watteau, the making of a Rubensian art is traced in the taste for Rubens in the eighteenth century in France, where many of the pictures he had kept for his own collection had found their way. In the writings of Roger de Piles and in the work of the painters to follow, art is made out of the viewing and discussing of art. A binary system of taste emerged for Rubens as contrasted with Poussin, and critical distinctions came to be fashioned in the binary terms of gender. Finally, Alpers considers creativity itself and how, as a man and as a painter, Rubens could have viewed his own generative talent. An analysis of his Munich Silenus - fleshy, intoxicated, and, following Virgil's account, disempowered as a condition of producing his songs - reveals a sense of the creative gift as humanly indeterminate and equivocal.
來源: Google Book
來源: Google Book
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