The double screen :medium and representation in Chinese painting
- 作者: Wu Hung,
- 出版: Chicago : University of Chicago Press 1996.
- 稽核項: 296 p. :ill. (some col.), map ;24 cm.
- 標題: Screen painting, Chinese Themes, motives. , Screen painting, Chinese , Themes, motives.
- ISBN: 0226360741 , 9780226360744
- 附註: Includes bibliographical references (p. 280-287).
- 系統號: 005148805
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In the first exploration of Chinese paintings as both material products and pictorial representations, The Double Screen shows how the collaboration and tension between material form and image gives life to a painting. A Chinese painting is often reduced to the image it bears; its material form is dismissed; its intimate connection with social activities and cultural conventions neglected. A screen occupies a space and divides it, supplies an ideal surface for painting, and has been a favorite pictorial image in Chinese art since antiquity. Wu Hung undertakes a comprehensive analysis of the screen, which can be an object, an art medium, a pictorial motif, or all three at once. With its diverse roles, the screen has provided Chinese painters with endless opportunities to reinvent their art. The Double Screen provides a powerful non-Western perspective on issues from portraiture and pictorial narrative to voyeurism, masquerade, and political rhetoric. It will be invaluable to anyone interested in the history of art and Asian studies.
來源: Google Book
來源: Google Book
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