資料來源: Google Book
Themes in contemporary art
- 其他作者: Perry, Gillian. , Wood, Paul.
- 出版: New Haven : Yale University Press in association with the Open University 2004.
- 稽核項: 326 p. :ill. (some col.) ;27 cm.
- 叢書名: Art of the 20th century ;[bk. 4]
- 標題: Art, Modern , Richter, Gerhard, 1932- , Modernisme (Art) , Art , Themes, motives. , Art, Modern 20th century -- Themes, motives. , Art 20th century. , Postmodernisme. , Postmodernism. , Visual arts. , Richter, Gerhard,
- ISBN: 0300102976 , 9780300102970
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. Inside the whale : an introduction to postmodernist art / Paul Wood -- Conceptual art, the aesthetic and the end(s) of art / Charles Harrison -- Post-conceptual painting : Gerhard Richter's extended leave-taking / Jason Gaiger -- Photography out of conceptual art / Steve Edwards -- I/eye/oculus : performance, installation and video / Kristine Stiles -- Dream houses : installations and the home / Gill Perry -- Art and globalisation / Niru Ratnam.
- 電子資源: https://dbs.tnua.edu.tw/login?url=http://www.loc.gov/catdir/description/yale051/2004105258.html
- 系統號: 005015624
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
02 In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization of art at the end of the twentieth century. Full color illustrations are featured throughout the volume. Gill Perry is senior lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University. In this fourth volume of the Art of the Twentieth Century series, the contributors address a fascinating variety of themes relating to art from the 1960s to the end of the century—the period of “postmodernism.”The first of the book’s seven chapters deals with the emergence in the 1960s of what has been called an “expanded field” for art activity. Other chapters discuss the consequences of Conceptual art for notions of the aesthetic; the Post-Conceptual practice of painting; practices of Post-Conceptual photography; video, performance, and installation art; and women’s practice and the question of gendered and nongendered objects. The final chapter explores the globalization of art at the end of the twentieth century. Full color illustrations are featured throughout the volume. Gill Perry is senior lecturer in art history, The Open University. Paul Wood is senior lecturer in art history, The Open University.
來源: Google Book
來源: Google Book
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