Music and German national identity
- 其他作者: Applegate, Celia. , Potter, Pamela Maxine.
- 出版: Chicago : University of Chicago Press 2002.
- 稽核項: x, 319 p. :ill. ;24 cm.
- 標題: Social aspects , Music Social aspects -- Germany. , History and criticism. , Music , Music Germany -- History and criticism.
- ISBN: 0226021300 , 9780226021300
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index. Germans as the "people of music" : genealogy of an identity / Celia Applegate and Pamela Potter -- Reconstructing ideal types of the "German" in music / Bernd Sponheuer -- Einheit--Freiheit--Vaterland : intimations of utopia in Robert Schumann's late choral music / John Daverio -- Wagner's Die Meistersinger as national opera (1868-1945) / Thomas S. Grey -- Landscape--region--nation--Reich : German folk song in the nexus of national identity / Philip V. Bohlman -- Kein schoner Land : the Spielschar Ekkehard and the struggle to define German national identity in the Weimar Republic / Bruce Campbell -- Hosanna or "Hilf, o Herr uns" : national identity, the German Christian movement, and the "dejudaization" of sacred music in the Third Reich / Doris L. Bergen -- National and Universal : Thomas Mann and the paradox of "German" music / Hans Rudolf Vaget -- Culture, society, and politics in the cosmos of "Hans Pfitzner the German" / Michael H. Kater -- "Fur eine neue deutsche Nationaloper" : opera in the discourses of unification and legitimation in the German Democratic Republic / Joy Haslam Calico -- Darmstadt, postwar experimentation, and the West German search for a new musical identity / Gesa Kordes -- American jazz in the German Cold War / Uta G. Poiger -- Postwar German popular music : Americanization, the Cold War, and the post-Nazi Heimat / Edward Larkey -- On the history of the "Deutschlandlied" / Jost Hermand -- Ethnicity and musical identity in the Czech lands : a group of vignettes / Bruno Nettl -- "Is that not something for Simplissimus?!" the belief in musical superiority / Albrecht Riethmuller.
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- 系統號: 005017292
- 資料類型: 圖書
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Concert halls all over the world feature mostly the works of German and Austrian composers as their standard repertoire: composers like the three "Bs" of classical music, Bach, Beethoven, and Brahms, all of whom are German. Over the past three centuries, many supporters of German music have even nurtured the notion that the German-speaking world possesses a peculiar strength in the cultivation of music. This book brings together seventeen contributors from the fields of musicology, ethnomusicology, history, and German literature to explore these questions: how music came to be associated with German identity, when and how Germans came to be regarded as the "people of music," and how music came to be designated "the most German of arts." Unlike previous volumes on this topic, many of which focused primarily on Wagner and Nazism, the essays here are wide-ranging and comprehensive, examining philosophy, literature, politics, and social currents as well as the creation and performance of folk music, art music, church music, jazz, rock, and pop. The result is a striking volume, adeptly addressing the complexity and variety of ways in which music insinuated itself into the German national imagination and how it has continued to play a central role in the shaping of a German identity. Contributors to this volume: Celia Applegate Doris L. Bergen Philip Bohlman Joy Haslam Calico Bruce Campbell John Daverio Thomas S. Grey Jost Hermand Michael H. Kater Gesa Kordes Edward Larkey Bruno Nettl Uta G. Poiger Pamela Potter Albrecht Riethmüller Bernd Sponheuer Hans Rudolf Vaget
來源: Google Book
來源: Google Book
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