No and kyogen in the contemporary world
- 其他作者: Brandon, James R.
- 出版: Honolulu, Hawaii : University of Hawai'i Press c1997.
- 稽核項: x, 249 p. :ill. ;24 cm.
- 標題: Kyogen , Kyogen Congresses. , Congresses. , No Congresses. , No
- ISBN: 0824818105 , 9780824818104
- 附註: "Selected essays originally presented at the international conference ... held on the Manoa campus of the University of Hawai'i, from 4 to 6 May 1989"--Pref. Includes bibliographical references and index.
- 系統號: 005157048
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The adaptation of the theater arts in Japan and the West is discussed in the second group of essays. Nagao Kazuo interprets the long history of no as a series of "misunderstandings" or "misconceptions" (gokai) whereby performers attempted to recover an unknown (and unknowable) past. Tom Hare's essay takes up Zeami's understanding of the process of artistic transmission. Domoto Masaki suggests that no was drastically altered when it changed from a dialogue drama to a music-dance drama early in its development.
來源: Google Book
來源: Google Book
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