資料來源: Google Book

Musical symbolism in the operas of Debussy and Bartok :trauma, gender, and the unfolding of the unconscious

The authors explore the means by which two early 20th-century operas - Debussy's 'Pelléas et Mélisande' (1902) and Bartók's 'Duke Bluebeard's Castle' (1911) - transformed the harmonic structures of the traditional major/minor scale system into a new musical language.
來源: Google Book
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