Cut with the kitchen knife :the Weimar photomontages of Hannah Höch
- 作者: Lavin, Maud.
- 其他作者: Höch, Hannah,
- 出版:
- 稽核項: xvii, 260 pages, 16 unnumbered pages of plates :illustrations (some color) ;27 cm.
- 標題: Höch, Hannah, , Höch, Hannah, 1889-1978. , Women Germany -- History -- 20th century. , Photomontage Germany -- History -- 20th century. , Photomontage , History , Women
- ISBN: 0300061641 , 9780300061642
- 附註: Includes bibliographical references (pages 244-253) and index. Introduction: representing the new woman -- Ch. 1. The Berlin Dada photomontages -- Ch. 2. Mass media, modernism, and the avant-garde -- Ch. 3. Hannah Höch's mass media scrapbook: utopias of the twenties -- Ch. 4. Portraits, dancers, and coquettes: the modern woman in Höch's photomontages, 1923-35 -- Ch. 5. From an ethnographic museum -- Ch. 6. Androgyny and spectatorship -- Conclusion -- Chronology -- Appendix: selected writings by Hannah Höch. A glance over my life. The painter. A few words on photomontage.
- 摘要: This book on Hannah Hoch, explores the social construction of femininity in the mass media culture of Weimar Germany by focusing on the arresting photomontages of this Berlin Dada artist.
- 系統號: 005158345
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The women of Weimar Germany had an uneasy alliance with modernity: while they experienced cultural liberation after World War I, these New Women still faced restrictions in their earning power, political participation, and reproductive freedom. Images of women in newspapers, films, magazines, and fine art of the 1920s, reflected their ambiguous social role, for the women who were pictured working in factories, wearing androgynous fashions, or enjoying urban nightlife seemed to be at once empowered and ornamental, both consumers and products of the new culture. In this book Maud Lavin investigates the multilayered social construction of femininity in the mass culture of Weimar Germany, focusing on the photomontages of the avant-garde artist Hannah Hoch.
來源: Google Book
來源: Google Book
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