資料來源: Google Book
After Auschwit :response to the Holocaust in contemporary art
- 出版: Sunderland : Northern Centre for Contemporary Art 1995.
- 版本: 1st ed.
- 稽核項: 160 p. :ill. (some col.), map ;28 cm.
- 標題: Exhibitions. , Art, Modern , Art, Modern 20th century -- Great Britain -- Exhibitions. , Holocaust, Jewish (1939-1945), in art , Holocaust, Jewish (1939-1945), in art Exhibitions.
- ISBN: 085331666X , 9780853316664
- 附註: Published on the occasion of the travelling exhibition 'After Auschwitz: Response to the Holocaust in contemporary art'. Bibliography: p. 160. A kind of survivor / George Steiner -- the Nazi holocaust : it moral, historical and educational significance / Ronnie S. Landau -- The complexitie of witnessing ; Art confront the holocaust / Ziva Amishai-Maisel -- Memory and counter-memory : toward a socail aesthetic of holocaust memorial / Jame E. Young -- Fifty year on / Monica Bohm-Duchen -- Artists' statement -- List of work in exhibition.
- 系統號: 005167333
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The senseless horror of the Holocaust continues to send shockwaves through history. Few would question its profound influence on post-war philosophy, morality, theological and political thinking. Yet the impact of the Holocaust on the Fine Arts, and in particular on contemporary art, has still not received the attention it deserves. This new publication accompanies a pioneering touring exhibition. It comprises a series of illustrated essays by leading experts, addressing: the art produced by victims of the Holocaust during the Holocaust; the influence of the Holocaust on artists who were not camp inmates, working during the war and in the post-war period; Holocaust memorials and their significance; and the work of a younger generation of artists, many of them non-Jews, whose relationship to the Holocaust is more oblique. Among the artists included are R. B. Kitaj, Picasso, Francis Bacon, Magdalena Abakanowicz, Christian Boltanski, Melvin Charney, Shimon Attie, Zoran Music, Susanna Pieratzki, Mick Rooney and Nancy Spero. The works selected have in common a determination not to rely on over-used visual stereotypes, nor to indulge in nostalgia, morbidity or sentimentality. Aesthetically compelling, they force us to reassess a subject all too often dismissed as overworked, and to reconsider the nature and potential of artistic activity 'after Auschwitz', as the century nears its end.
來源: Google Book
來源: Google Book
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