資料來源: Google Book

The performing subject in the space of technology :through the virtual, toward the real

  • 其他作者: Causey, Matthew, , Meehan, Emma, , O'Dwyer, Néill,
  • 出版:
  • 稽核項: xvi, 242 pages ;23 cm.
  • 叢書名: Palgrave studies in performance and technology
  • 標題: Technology and the arts. , Performing arts. , Performance art.
  • ISBN: 1137438150 , 9781137438157
  • 附註: Includes bibliographical references and index. General Introduction: In the after-event of the virtual / Matthew Causey, Emma Meehan, Néill O'Dwyer -- PART I. PROVOCATIONS: SUBJECTIVITY AND TECHNOLOGY -- Introduction to Part I / Matthew Causey, Emma Meehan and Néill O'Dwyer -- 1. Into the body of another: strange couplings and unnatural alliances of Harlequin Coat / Burcu Baykan -- 2. The Cultural Critique of Bernard Stiegler: Reflecting on the Computational Performances of Klaus Obermaier / Néill O'Dwyer -- 3. The Flicker at the threshold of societies of control / Sharon Phelan -- 4. The Right to Be Forgotten and the Image-Crimes of Digital Culture / Matthew Causey -- 5. Materiality, immateriality and the dancing body: the challenge of the inter in the preservation of intangible cultural heritage / Sarah Whatley -- 6. Performing (the Subject of) Exteriority: Virtuality, Mīmēsis, and the Gratuitous 'One Must' / Riku Roihankorpi -- PART II: PRACTICES: EMBODIED NOTIONS OF ART AND TECHNOLOGY -- Introduction to Part II / Matthew Causey, Emma Meehan and Néill O'Dwyer -- 7. Not Waving but Drowning: The Affect of Random Programming on the Creation of a Digital Performance Work / Mary Oliver -- 8. BrainExplode! Audiences and agency through the appropriation of Video-game structures / Dan Bergin -- 9. Relational Works-In-Movement Using The Body Response System / Maria Coleman -- 10. Dancing With Dirt And Wires: Reconciling The Embodied And The Digital In Site-Responsive Collaborative Practice / Natalie Garrett Brown, Christian Kipp and Amy Voris -- 11. Jeanette Doyle: Fifteen Days and Factory Direct at the Andy Warhol Museum: The Relationship Between the 'Immaterial', 'Dematerial' and 'Material' in Contemporary Art Practice / Jeanette Doyle -- 12. Inscribing Work and Process: The Ontological Implications of Virtual Scoring Practices for Dance / Hetty Blades -- 13. Traces and Artifacts of Physical Intelligence / Scott deLahunta -- Index.
  • 摘要: "Now that the shock of the virtual has subsided toward a 'new-normal' of computational interference in all areas of life, it is an advantageous moment to reflect on the passage through the virtual and back to the real. Digital culture has developed into a bio-virtual environment in which the categories of the biological and the virtual no longer stand as separate. The contributors to this volume respond to the questions raised by the 'after-event' of the digital through practice-led research analyses of performance processes, philosophical readings of the work of art and technology, and performance studies investigations of the subject in the spaces of technology. The volume examines a wide range of activities, from bio-art to internet child pornography, gaming and social networking technologies to the use of motion-tracking in developing choreography and documentation. The authors draw from diverse perspectives in dance, theatre, performance, film and music studies, digital arts and culture."--
  • 系統號: 005264713
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Now that the shock of the virtual has subsided toward a 'new-normal' of computational interference in all areas of life, it is an advantageous moment to reflect on the passage through the virtual and back to the real. Digital culture has developed into a bio-virtual environment in which the categories of the biological and the virtual no longer stand as separate. The contributors to this volume respond to the questions raised by the 'after-event' of the digital through practice-led research analyses of performance processes, philosophical readings of the work of art and technology, and performance studies investigations of the subject in the spaces of technology. The volume examines a wide range of activities, from bio-art to internet child pornography, gaming and social networking technologies to the use of motion-tracking in developing choreography and documentation. The authors draw from diverse perspectives in dance, theatre, performance, film and music studies, digital arts and culture.
來源: Google Book
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