The cultural politics of jazz collectives :this is our music
- 其他作者: Gebhardt, Nicholas, , Whyton, Tony,
- 出版:
- 稽核項: xii, 250 pages :illustrations ;24 cm.
- 叢書名: Transnational studies in jazz
- 標題: Jazz Social aspects. , Social aspects. , History and criticism. , Jazz , Jazz History and criticism.
- ISBN: 1138780634 , 9781138780637
- ISBN: 1315770547 , 97813157705433
- 附註: Includes bibliographical references and index. Introduction : jazz as a collective problem -- "Complaining time is over" : network and collective strategies of the New York Musicians Organization -- Pitched battles : Dutch improvised music, authorities and strategies -- Sound visions and free initiatives : the cultural politics of creative improvised music collectives -- Musical hybridity in the new European city : the jazz hip hop collectives of C-Mon & Kypski and Kytopia -- Collective cultures and live jazz in Birmingham -- San Francisco State University's Music Federation : the political machine behind a jazz cooperative for teachers -- Minnet : transcending genre boundaries, organizing diversity -- Wonderbrass as a South Wales community jazz collective -- Jazz networks in Austria : the Jazz Werkstan Initiative -- Improvisational conduct and case studies from the margins : an insider's view on negotiating the collective -- Collective practice and digital mediation -- Conclusion : toward a collective jazz studies.
- 系統號: 005265224
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The Cultural Politics of Jazz Collectives: This Is Our Music documents the emergence of collective movements in jazz and improvised music. Jazz history is most often portrayed as a site for individual expression and revolves around the celebration of iconic figures, while the networks and collaborations that enable the music to maintain and sustain its cultural status are surprisingly under-investigated. This collection explores the history of musician-led collectives and the ways in which they offer a powerful counter-model for rethinking jazz practices in the post-war period. It includes studies of groups including the New York Musicians Organization, Sweden's Ett minne för livet, Wonderbrass from South Wales, the contemporary Dutch jazz-hip hop scene, and Austria's JazzWerkstatt. With an international list of contributors and examples from Europe and the United States, these twelve essays and case studies examine issues of shared aesthetic vision, socioeconomic and political factors, local education, and cultural values among improvising musicians.
來源: Google Book
來源: Google Book
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