資料來源: Google Book

Aesthetic technologies of modernity, subjectivity, and nature :opera · orchestra · phonograph · film

  • 作者: Leppert, Richard D.,
  • 出版:
  • 稽核項: xvi, 351 pages :illustrations (some color), music ;26 cm.
  • 標題: Motion pictures , Fitzcarraldo (Motion picture) , Nature in music. , Opera , Philosophy and aesthetics. , Nature in motion pictures. , Motion pictures Social aspects. , Sound recordings Social aspects. , Modernism (Music) , Social aspects. , Music , Days of heaven (Motion picture) , Sound recordings , Music Philosophy and aesthetics. , Modernism (Music) History -- 20th century. , Puccini, Giacomo, , Opera Social aspects. , Puccini, Giacomo, 1858-1924. , History
  • ISBN: 0520287371 , 9780520287372
  • ISBN: 0520962524 , 9780520962521
  • 附註: Includes bibliographical references (pages 323-338) and index. The civilizing process : music and the aesthetics of time-space relations in The Girl of the golden West -- Opera, aesthetic violence, and the imposition of modernity : Fitzcarraldo -- Caruso, phonography, and operatic fidelities : regimes of music listening, 1904-1929 -- Aesthetic meanderings of the sonic psyche : three operas, two notes, and one ending at the boundary of the Great Divide -- Sound, subjectivity, and death : Days of heaven (promesse du bonheur) -- Conclusion : acoustic invocations of crisis and hope.
  • 摘要: "The book addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the nascent twentieth century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumas---cultural, social, and personal---associated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back"--Provided by publisher.
  • 系統號: 005265247
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Virginia Woolf famously claimed that, around December 1910, human character changed. Aesthetic Technologies addresses how music (especially opera), the phonograph, and film served as cultural agents facilitating the many extraordinary social, artistic, and cultural shifts that characterized the new century and much of what followed long thereafter, even to the present. Three tropes are central: the tensions and traumasÑcultural, social, and personalÑassociated with modernity; changes in human subjectivity and its engagement and representation in music and film; and the more general societal impact of modern media, sound recording (the development of the phonograph in particular), and the critical role played by early-century opera recording. A principal focus of the book is the conflicted relationship in Western modernity to nature, particularly as nature is perceived in opposition to culture and articulated through music, film, and sound as agents of fundamental, sometimes shocking transformation. The book considers the sound/vision world of modernity filtered through the lens of aesthetic modernism and rapid technological change, and the impact of both, experienced with the prescient sense that there could be no turning back.
來源: Google Book
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