資料來源: Google Book
Composing for the cinema :the theory and praxis of music in film
- 作者: Morricone, Ennio.
- 其他作者: Anderson, Gillian B., , Miceli, Sergio,
- 出版:
- 稽核項: xiv, 295 pages :illustrations ;24 cm.
- 標題: Motion picture music , Motion picture music Instruction and study. , Composition (Music) , Instruction and study.
- ISBN: 0810892421 , 9780810892422
- 附註: Translation of: Morricone, Ennio. Comporre per il cinema, 2001. Includes bibliographical references (pages 271-276), filmographies (pages 261-269) and index. Introduction : the composer in the cinema -- Audiovisual analysis, part I -- Production procedures -- Audiovisual analysis, part II -- The recording and sound design -- Compositional elements -- Questions and answers.
- 系統號: 005265256
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
With nearly 400 scores to his credit, Ennio Morricone is one of the most prolific and influential film composers working today. In Composing for the Cinema, Morricone and musicologist Sergio Miceli present a series of lectures on the composition and analysis of film music. Adapted from several lectures and seminars, these lessons show how sound design can be analyzed and offer a variety of musical solutions to many different kinds of film. Drawing upon scores by himself and others, the composer also provides insight into his relationships with many of the directors with whom he has collaborated, including Sergio Leone, Giuseppe Tornatore, Franco Zeffirelli, Warren Beatty, Ridley Scott, Roland Joffé, the Taviani Brothers, and others. Delivered in a conversational mode that is both comprehensible and interesting, this groundbreaking work intertwines analysis with practical details of film music composition.
來源: Google Book
來源: Google Book
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