資料來源: Google Book

The British pop music film :the Beatles and beyond

  • 作者: Glynn, Stephen.
  • 出版:
  • 稽核項: viii, 258 pages :illustrations ;23 cm.
  • 標題: History and criticism. , Popular music , Musical films Great Britain -- History and criticism. , Popular music Social aspects -- Great Britain -- History. , Motion pictures and music. , Musical films , Social aspectsHistory.
  • ISBN: 0230392229 , 9780230392229
  • 附註: Includes bibliographical references (pages 233-239), filmography (pages 240-243), and index.
  • 摘要: "From Cliff Richard to The Rolling Stones, and from The Beatles to Plan B, pop music has been inseparable from its cinematic exploitation. This book constitutes the first delivered examination of the place of the pop music film in British cinematic and musical history. It explores the way music and film have exerted a mutual influence at an economic, social and artistic level. From The Tommy Steel Story, a cheap and cheerful 'cash in' on what was considered a passing fad, through Richard Lester's innovative and globally successful Beatles vehicles and on to the Jungian artistic maze of Mick Jagger's Performance, the 1950s and 1960s saw pop acts and directors create an entire life-cycle for a new film genre. Thereafter, its intermittent revivals, be it Slade in Flame or the Spice Girls in Spice World, have kept sound and vision inseparable in the public consciousness, revisiting and reshaping our pop and film heritage."
  • 系統號: 005265264
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
From Cliff Richard to The Rolling Stones, and from The Beatles to Plan B, pop music has been inseparable from its cinematic exploitation. This book constitutes the first delivered examination of the place of the pop music film in British cinematic and musical history. It explores the way music and film have exerted a mutual influence at an economic, social and artistic level. From The Tommy Steele Story, a cheap and cheerful 'cash in' on what was considered a passing fad, through Richard Lester's innovative and globally successful Beatles vehicles and on to the Jungian artistic maze of Mick Jagger's Performance, the 1950s and 1960s saw pop acts and directors create an entire life-cycle for a new film genre. Thereafter, its intermittent revivals, be it Slade in Flame or the Spice Girls in Spice World, have kept sound and vision inseparable in the public consciousness, revisiting and reshaping our pop and film heritage.
來源: Google Book
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