Write in tune :contemporary music in fiction

• 其他作者: Hertz, Erich, , Roessner, Jeffrey,
• 出版:
• 稽核項: x, 264 pages ;24 cm.
• 標題: Music and literature United States -- History -- 20th century. , Music and literature United States -- History -- 21st century. , Music and literature. , Music and literature Great Britain -- History -- 20th century. , American fiction 20th century -- History and criticism. , Music and literature , History and criticism. , Music and literature Great Britain -- History -- 21st century. , English fiction , American fiction 21st century -- History and criticism. , American fiction , Music in literature. , English fiction 21st century -- History and criticism. , English fiction 20th century -- History and criticism. , History
• ISBN: 1623564220 , 9781623564223
• ISBN: 9781623561451 , 9781623565060
• 附註: Includes bibliographical references and index. Machine generated contents note: -- IntroductionErich Hertz and Jeffrey RoessnerPart 1: Negotiating Pop Styles1. More Than Zero: Post-Punk Ideology (And Its Rejection) in Bret Easton Ellis Matthew Luter, Faculty Member, Webb School, USA 2. "Consistently Original, Perennially Unheard Of": Punk, Margin and Mainstream in Jonathan Franzen's FreedomMark Bresnan, Assistant Professor of Academic Writing, Marymount Manhattan College, USA 3. A Novel Idea for a Soundtrack: Tim Winton's Dirt Music Tanya Dalziell, Professor in English and Cultural Studies, University of Western Australia, Australia4. "Where the Beat Sounds the Same": American Psycho and the Cultural Capital of Pop Music Carl Miller, Assistant Professor of English, Palm Beach Atlantic University, USA 5. Playing (in) Seattle: Grunge as a Narrative Soundscape in Mark Lindquist's Never Mind Nirvana Fiorenzo Iuliano, Lecturer in American Literature, University of Cagliari, Italy Part 2: Gendering Rock and Jazz6. Masculinity and Jazz in Jackie Kay's Trumpet, Jim Crace's All That Follows and Alan Plater's The Beiderbecke Trilogy Aidan Byrne, Senior Lecturer in English and Cultural Studies, University of Wolverhampton, UK Nicola Allen, University of Wolverhampton, UK7. Queer Time, Queer Space, and Queer Edge in Lynn Breedlove's Godspeed Joseph P. Fisher, George Washington's College of Professional Studies and North Virginia Community College, Alexandria, USA8. The Popular Music Experiments of Rick Moody's Connecticut WASPs in The Ice Storm Zachary Snider, Writer, USA9. "Every song ends": Musical Pauses, Gendered Nostalgia, and Loss in Jennifer Egan's A Visit from the Goon Squad Danica van de Velde, University of Western Australia, AustraliaPart 3: Sounding Race and Nation10. "It's me or the. Eggplant": Pleasure, Politics, and Prince in Hanif Kureishi'sThe Black Album Eric Berlatsky, Associate Professor of English, Florida Atlantic University, USA11. Rock Music as Cosmopolitan Touchstone in Salman Rushdie's The G
• 摘要: "Focusing on Anglo-American novels of the past two decades, Write in Tune explores the dynamic intersection between popular music and fiction"--
• 系統號: 005265331
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
• 目前引用數