Composing Japanese musical modernity
- 作者: Wade, Bonnie C.,
- 出版:
- 稽核項: viii, 271 pages ;23 cm.
- 叢書名: Chicago studies in ethnomusicology
- 標題: Composers , History and criticism. , Music Japan -- Western influences. , Music , Music Japan -- 20th century -- History and criticism. , Composers Japan. , Western influences.
- ISBN: 022608549X , 9780226085494
- ISBN: 9780226085494
- 附註: Includes bibliographical references (pages 249-260) and index. Composers in infrastructures of Japanese modernity. The primary connection : music and education ; Connectivities of government, education, industry, and commerce -- Japanese composers in shared cultural spaces of Western music. International participation in the shared space of concert music in global cosmopolitan culture ; Hōgaku in the environment of shared cultural space in Japanese musical modernity -- The presence in Japan of European spheres of musical participation. Composing for European instrumental ensembles ; Composing for chorus.
- 系統號: 005265838
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
When we think of composers, we usually envision an isolated artist separate from the orchestra—someone alone in a study, surround by staff paper—and in Europe and America this image generally has been accurate. For most of Japan’s musical history, however, no such role existed—composition and performance were deeply intertwined. Only when Japan began to embrace Western culture in the late nineteenth century did the role of the composer emerge. In Composing Japanese Musical Modernity, Bonnie Wade uses an investigation of this new musical role to offer new insights not just into Japanese music but Japanese modernity at large and global cosmopolitan culture. Wade examines the short history of the composer in Japanese society, looking at the creative and economic opportunities that have sprung up around them—or that they forged—during Japan’s astonishingly fast modernization. She shows that modernist Japanese composers have not bought into the high modernist concept of the autonomous artist, instead remaining connected to the people. Articulating Japanese modernism in this way, Wade tells a larger story of international musical life, of the spaces in which tradition and modernity are able to meet and, ultimately, where modernity itself has been made.
來源: Google Book
來源: Google Book
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