Ingres :painting re-imagined
- 作者: Siegfried, Susan L.
- 出版: New Haven : Yale University Press 2009.
- 稽核項: ix, 518 pages :illustrations (chiefly color) ;27 cm.
- 標題: Ingres, Jean-Auguste-Dominique, 1780-1867 Criticism and interpretation. , Criticism and interpretation. , Ingres, Jean-Auguste-Dominique, , Ingres, Jean-Auguste-Dominique, 1780-1867 Themes, motives. , Themes, motives.
- ISBN: 0300148836 , 9780300148831
- 附註: Includes bibliographical references (pages 467-506) and index. Ingres's reading-the undoing and reconstitution of narrative -- The "imaginary" of the female nudes and portraits -- Vicissitudes of artistic ambition -- Classicism reconstructed -- Materials of the historical imaginary -- The materiality of the sacred -- A fractured climax.
- 摘要: In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative--in his classical literary, historical, and religious subjects--was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. Ingres was engaged in a complex process of reimagining narrative in visual form, which he accomplished in novel ways through his close reading and deep engagement with texts, including works by Homer, Virgil, Ariosto, and Dante, as well as religious writings and histories of medieval and early modern France.
- 系統號: 005266840
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Jean-Auguste-Dominique Ingres (1780-1867) produced a body of work that strongly appealed to his contemporaries while disconcerting them. Even today, the odd qualities of his work continue to fascinate scholars, critics, and artists. In this handsomely illustrated and elegantly written book, Susan L. Siegfried argues that the strangeness associated with Ingres's paintings needs to be located in the complex and richly invested nature of the work itself, as well as in the artist's very powerful--if often perverse--sense of artistic project. She shows that his major re-thinking of pictorial narrative - in his classical literary, historical, and religious subjects - was as central to his achievement as his distinctive rendering of the female figure in classical nudes and portraits. He was engaged in a complex process of giving visual form to narrative, which he did in new and unusual ways that involved him in a close reading of the texts on which he drew, including authors such as Homer, Virgil, Ariosto, and Dante, as well as religious narratives and stories about medieval and early modern French history.
來源: Google Book
來源: Google Book
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