資料來源: Google Book
Harlem's theaters :a staging ground for community, class, and contradiction, 1923-1939
- 作者: Macki Braconi, Adrienne,
- 出版:
- 稽核項: xii, 267 pages :illustrations ;23 cm.
- 標題: New York (State) New York -- Harlem. , Theater , Theater New York (State) -- New York -- History -- 20th century. , Harlem (New York, N.Y.) , Harlem (New York, N.Y.) Intellectual life -- 20th century. , African American theater , United States. , African American theater New York (State) -- New York -- History -- 20th century. , Civil rights movements , Theaters New York (State) -- New York -- History -- 20th century. , Theater. , Civil rights movements United States -- History -- 20th century. , Theaters , Intellectual life. , Civil rights movements. , New York (State) New York. , Intellectual life , African American theater. , Theaters. , New York (State) , History
- ISBN: 0810132257 , 9780810132252
- ISBN: 9780810132269 , 0810132265
- 附註: 105年科技部補助人文及社會科學研究圖書計畫主題:文學I:戲曲與表演文化 Includes bibliographical references (pages 229-258) and index. Introduction: "Parent to hope" -- 1923-1928 -- Constructing racial uplift, class, and propaganda -- Constituting community -- 1929-1934 -- Staging sacred and secular experiments -- Per/(re)forming the community -- 1935-1939 -- Re-visioning the community -- Playing with history, signs, and fables -- Epilogue.
- 系統號: 005267095
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Honorable Mention, 2016 Errol Hill Book Award for Outstanding Scholarship in African American Theater, Drama and/or Performance Based on a vast amount of archival research, Adrienne Macki Braconi’s illuminating study of three important community-based theaters in Harlem shows how their work was essential to the formation of a public identity for African Americans and the articulation of their goals, laying the groundwork for the emergence of the Civil Rights movement. Macki Braconi uses textual analysis, performance reconstruction, and audience reception to examine the complex dynamics of productions by the Krigwa Players, the Harlem Experimental Theatre, and the Negro Theatre of the Federal Theatre Project. Even as these theaters demonstrated the extraordinary power of activist art, they also revealed its limits. The stage was a site in which ideological and class differences played out, theater being both a force for change and a collision of contradictory agendas. Macki Braconi’s book alters our understanding of the Harlem Renaissance, the roots of the Civil Rights movement, and the history of community theater in America.
來源: Google Book
來源: Google Book
評分