資料來源: Google Book
Vampires, dragons, and Egyptian kings :youth gangs in postwar New York
- 作者: Schneider, Eric C.,
- 出版: Princeton, N.J. : Princeton University Press 2001.
- 版本: first paperback printing.
- 稽核項: xx, 334 pages :illustrations ;23 cm.
- 標題: Gangs New York (State) -- New York -- History -- 20th century. , Gangs , History
- ISBN: 0691074542 , 9780691074542
- 附註: 105年科技部補助人文及社會科學研究圖書計畫主題:文學I:戲曲與表演文化. Includes bibliographical references (pages 263-318) and index. The Capeman and the Vampires -- Remaking New York -- Discovering gangs: the role of race in the 1940s -- Defending place: ethnicity and territory -- Becoming men: the use of the streets in defining masculinity -- Making a gang culture: form, style, and ritual in the gang world -- Leaving the gang: pathways into adulthood -- Intervening in gangs: the problems and possibilities of social work -- Drugs, politics, and gangs, 1960-1975 -- Comparing gangs: contemporary gangs in historical perspective.
- 摘要: "They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought - and sometimes killed - to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive." "Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy."--Jacket.
- 系統號: 005267565
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
They called themselves "Vampires," "Dragons," and "Egyptian Kings." They were divided by race, ethnicity, and neighborhood boundaries, but united by common styles, slang, and codes of honor. They fought--and sometimes killed--to protect and expand their territories. In postwar New York, youth gangs were a colorful and controversial part of the urban landscape, made famous by West Side Story and infamous by the media. This is the first historical study to explore fully the culture of these gangs. Eric Schneider takes us into a world of switchblades and slums, zoot suits and bebop music to explain why youth gangs emerged, how they evolved, and why young men found membership and the violence it involved so attractive. Schneider begins by describing how postwar urban renewal, slum clearances, and ethnic migration pitted African-American, Puerto Rican, and Euro-American youths against each other in battles to dominate changing neighborhoods. But he argues that young men ultimately joined gangs less because of ethnicity than because membership and gang violence offered rare opportunities for adolescents alienated from school, work, or the family to win prestige, power, adulation from girls, and a masculine identity. In the course of the book, Schneider paints a rich and detailed portrait of everyday life in gangs, drawing on personal interviews with former members to re-create for us their language, music, clothing, and social mores. We learn what it meant to be a "down bopper" or a "jive stud," to "fish" with a beautiful "deb" to the sounds of the Jesters, and to wear gang sweaters, wildly colored zoot suits, or the "Ivy League look." He outlines the unwritten rules of gang behavior, the paths members followed to adulthood, and the effects of gang intervention programs, while also providing detailed analyses of such notorious gang-related crimes as the murders committed by the "Capeman," Salvador Agron. Schneider focuses on the years from 1940 to 1975, but takes us up to the present in his conclusion, showing how youth gangs are no longer social organizations but economic units tied to the underground economy. Written with a profound understanding of adolescent culture and the street life of New York, this is a powerful work of history and a compelling story for a general audience.
來源: Google Book
來源: Google Book
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