A critical history of new music in China
- 作者: Liu, Jingzhi,
- 其他作者: Mason, Caroline,
- 出版: Hong Kong : Chinese University Press ©2010.
- 稽核項: xxi, 911 pages, [24] pages of plates :illustrations, music, portraits ;24 cm.
- 標題: History and criticism. , Musicians China -- History. , Music Instruction and study -- China. , Instruction and study , History. , Musicians , Music , Music China -- 20th century -- History and criticism.
- ISBN: 9629963604 , 9789629963606
- 附註: 106年科技部補助人文及社會科學研究圖書計畫主題:藝術學:亞太音樂文化. Includes bibliographical references and index. Introduction: New music in China and its theoretical foundations -- The origins of new music (1885-1919): the westernisation of military music and the birth of schoolsong -- New music in the May fourth period (1919-1937) -- The mass singing movement and musical creation in the anti-Japanese war period (1937-1945) -- New music education and creation during the Civil War (1946-1949) and in the seventeen years after the founding of the People's Republic of China (1949-1966) -- Yangbanxi and the music of the Cultural Revolution (1966-1979): revolutionary modern Peking opera, ballet, symphonic music and songs -- Musical creation after the Cultural Revolution and New Wave music -- New music and composers in Taiwan, Hong Kong and Macao -- Review and reflection: historical review (1885-1985) and the Sinicisation and modernisation of new music -- New development (1996-2006): mainland China, overseas, Taiwan and Hong Kong.
- 摘要: "With no direct ties to traditional Chinese music, New Music reflects the compositional techniques and musical idioms of eighteenth-, nineteenth- and early twentieth-century European styles. Liu traces the genesis and development of New Music throughout the twentieth century, deftly examining the cultural, social, and political forces that shaped New Music and its uses by politicians and the government."--[book cover].
- 系統號: 005268874
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
By the end of the nineteenth century, Chinese culture had fallen into a stasis, and intellectuals began to go abroad for new ideas. What emerged was an exciting musical genre that C. C. Liu terms "new music." With no direct ties to traditional Chinese music, "new music" reflects the compositional techniques and musical idioms of eighteenth- and nineteenth-century European styles. Liu traces the genesis and development of "new music" throughout the twentieth century, deftly examining the social and political forces that shaped "new music" and its uses by political activists and the government.
來源: Google Book
來源: Google Book
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