A history of the Takarazuka Review since 1914 :modernity, girls culture, Japan pop

• 作者: Yamanashi, Makiko.
• 出版: Boston : Global Oriental 2012.
• 稽核項: xxviii, 233 pages :illustrations (some color) ;24 cm.
• 標題: Takarazuka Kagekidan , History. , Takarazuka Kagekidan History.
• ISBN: 9004203869 , 9789004203860
• 附註: 106年科技部補助人文及社會科學研究圖書計畫主題:藝術學:亞太音樂文化. Includes bibliographical references and index. Acknowledgements -- Notes on technical methods and descriptions -- List of figures -- Introduction -- The formative years of Takarazuka : The birth of Takarazuka : Kobayashi Ichizō and the foundation of the Hankyū enterprise ; Takarazuka: spa, pool and theatre ; Department stores and Hankyū -- New theatre for the new age : Takarazuka in the current of theatre reformation ; Big theatre-ism ; Acting as a new profession for women -- In the light and shade of development : The onset of war ; Performing for the war: revues that captured the people's heart ; Takarazuka's first tours abroad ; Under the national policy -- The mechanisms of Takarazuka : The school for girls : Takarazuka Music School (T.M.S.) ; Education methods and principles: purity, integrity, grace ; Takarasiennes: student life ; From T.M.S. to the Takarazuka Revue Company ; Youthful spirit till retirement -- The institutional management : Stage creators and preservation of records ; PR methods and the corporate performance of Hankyū and its partners ; Image branding of the dream factory -- The stage art of Takarazuka 'fantasy adventure' : The formulation of the Takarazuka hybrid style : Domesticising foreign inspirations ; Succeeding Kabuki and other traditions, then inventing a new tradition ; The West + East = hyper exotic utopia? -- The allure of sexual ambiguity : Male and female impersonators ; Artistic detachment of the stagecraft -- The dramaturgical ethos : Visual and literary symbolism and metaphor ; The universality of human drama and love ; Mannerism: 'intertextural' collage -- The Taishō 'modern' in the female domain of girls' culture : Takarasiennes and Moga ("modern girls") : From new women to modern girls ; Unconventional looks and habits -- Discovery of personality and search for identity : Floating girls: otome as an idealised shōjo ; Ren'ai: the imported concept of love ; Culture of girlfriends: a heritage of girl bonding called 's-kankei' -- The audience at the 'fantasy adventure' : Grasping the heart of female audiences ; Takarazuka's fandom: fidelity, nurturing, and sisterhood ; Mirror images of the desired 'self' and the fantasised 'other' -- Takarazuka in the modern heritage of girls' culture and beyond : Interaction with shōjo manga : Tezuka Osamu and Takarazuka ; Transforming manga to stage and vice versa ; Cherishing dreams, love and self-development -- Utopia or dystopia of popular culture? Subversive interpretations of shōjo and Takarazuka : Kawaii: different kinds of cute and where they fit in Takarazuka ; Metamorphoses of kawaii, otaku, yaoi and beyond ; Diverse receptions and changing representations ; Tactile recreation of magical dreams -- Conclusion -- Appendices : Appendix I: Analysis of revue by Nakamura Akiichi, 1935 ; Appendix II: List of magazines for girls and women.
• 系統號: 005268875
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
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