附註:106年科技部補助人文及社會科學研究圖書計畫主題:藝術學:亞太音樂文化.
Includes bibliographical references (pages 231-243) and index.
Introduction : global longings with a cut. Cosmopolitan poses and haunting questions ; from Liumang to Dakou and Balinghou ; The geography of Chinese rock ; This book -- Hard scenes. A scenic move ; Underground ; Heavy metal ; Hardcore punk ; Hip-hop ; Interim -- Hyphenated scenes. Multiplicity ; Folk-rock ; Pop-rock ; Pop-punk ; Fashionable bands ; Ending a scenic journey -- Subaltern sounds. Marginal voices ; Gendering music ; Southern vices ; Seductive sounds ; Femininty, locality and opacity -- Musical taste and technologies of the self. Music and society ; Youth in fin-de-siècle Beijing ; Music preference and involvement ; The gendered self ; Generational differences ; Place and belonging ; Building subjectivity ; The political self ; Technolgy and control -- Producing localising and silencing sounds. Seductive narratives ; Market fantasies ; Cultural be/longings ; Silencing sounds ; Commercial complexities -- Conclusion : paradoxical performances. Mirrors ; Deparadoxicalisation ; Sonic hierarchies ; Binary socialism -- Appendix. Interviews ; Factor analysis of singers ; Popularity of singers and bands.
摘要:Based on sixteen years of research, this book explores various music scenes that emerged in China in the mid-1990s. Thanks to illegally imported CDs punched with a cut, the dakou CDs, a sonic world was opened up, inspiring young people to experiment with new sounds and lifestyles. In a context of intense globalisation and commercialisation, this book delves into the socio-cultural and political transformations of an alleged rising global power. , Jeroen de Kloet is assistant professor at the Department of Media Studies of the University of Amsterdam, The Netherlands. , "How does sound become local in the global age? This is the question posed by Jeroen de Kloet. As much an ethnography of the subjectivities articulated to pop music practices as it is an interrogation of the assumptions of sinocentricity, this book constitutes a provocative statement on C̀hineseness' at the crossroads of contemporary media, everyday life, and geopolitics."--Rey Chow, Duke University. , "Jeroen de Kloet provides a rich and fascinating account of the myriad forms of rock in contemporary China. This book transformed my understanding of contemporary Chinese culture - and of rock music beyond Europe and North America."--David Hesmondhalgh, University of Leeds. , "An authoritative, scholarly and up-to-date account of an important and fascinating field of popular music which sets a new benchmark in global music studies."--Tony Mitchell, University of Technology Sydney --Book Jacket.
