資料來源: Google Book
Gongs and pop songs :sounding Minangkabau in Indonesia
- 作者: Fraser, Jennifer A.
- 出版:
- 稽核項: xv, 270 pages :illustrations, map, music ;23 cm.
- 叢書名: Ohio University research in international studies. Southeast Asia series ;No. 127
- 標題: History and criticism. , Minangkabau (Indonesian people) , Minangkabau (Indonesian people) Music -- History and criticism. , Music , Talempong Indonesia -- Sumatera Barat. , Music Indonesia -- Sumatera Barat -- History and criticism. , Talempong , MusicHistory and criticism.
- ISBN: 0896804909 , 9780896804906
- 附註: 106年科技部補助人文及社會科學研究圖書計畫:藝術學:亞太音樂文化 Includes bibliographical references and index. Ethnicity, gongs, and pop songs -- Talempong and community -- Institutionalizing Minangkabau arts -- Reforming talempong -- Talempong in the marketplace -- Multiple ways of sounding Minangkabau.
- 系統號: 005269035
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Scholarship on the musical traditions of Indonesia has long focused on practices from Java and Bali, including famed gamelan traditions, at the expense of the wide diversity of other musical forms within the archipelago. Jennifer A. Fraser counters this tendency by exploring a little-known gong tradition from Sumatra called talempong, long associated with people who identify themselves as Minangkabau. Grounded in rich ethnographic data and supplemented with online audiovisual materials, Gongs and Pop Songs is the first study to chronicle the history and variety of talempong styles. It reveals the continued vitality of older modes in rural communities in the twenty-first century, while tracing the emergence of newer ones with radically different aesthetic frames and values. Each talempong style discussed incorporates into its repertoire Minangkabau pop or indigenous songs, both of which have strong associations with the place and people. These contemporary developments in talempong have taken place against a shifting political, social, and economic backdrop: the institutionalization of indigenous arts, a failed regional rebellion, and the pressures of a free-market economy. Fraser adopts a cognitive approach to ethnicity, asking how people understand themselves as Minangkabau through talempong and how different styles of the genre help create and articulate ethnic sentiments—that is, how they help people sound Minangkabau.
來源: Google Book
來源: Google Book
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