附註:106年科技部補助人文及社會科學研究圖書計畫:藝術學:亞太音樂文化
Includes bibliographical references (pages 315-330) and index.
The prince and the musician : native states, bureaucracy, and colonial influence -- Music enters the public sphere : colonial writing, Marathi theater, and music appreciation societies -- The contradictions of music's modernity : Vishnu Narayan Bhatkhande -- The certainty of music's modernity : Vishnu Digambar Paluskar -- Music in public and national conversation : conferences, institutions, and agendas, 1916-1928 -- The musician and Gharana modern : Abdul Karim Khan and Hirabai Barodekar.
摘要:Janaki Bakhle shows how the emergence of an 'Indian' cultural tradition reflected colonial & exclusionary practices, in particular the exclusion of Muslims by the Brahmanic elite - despite the fact that Muslims were the major practitioners of the Indian music that was installed as a 'Hindu' national tradition.
