資料來源: Google Book

Popular music of Vietnam :the politics of remembering, the economics of forgetting

  • 作者: Olsen, Dale A.
  • 出版:
  • 稽核項: xviii, 286 pages :illustrations ;24 cm.
  • 叢書名: Routledge studies in ethnomusicology ;1
  • 標題: History and criticism. , Popular music , Popular music Vietnam -- 2001-2010 -- History and criticism. , Popular music Vietnam -- 1991-2000 -- History and criticism. , Musicians Vietnam. , Musicians
  • ISBN: 0415883970 , 9780415883979
  • 附註: 106年科技部補助人文及社會科學研究圖書計畫:藝術學:亞太音樂文化 Includes bibliographical references (pages 269-275) and index. Cultural and political settings for Vietnam's popular music -- Vietnamese pop music stars and the bumpy road to stardom -- Vietnamese rock, pop-rock, and pop music bands -- Vietnamese songwriters, social issues, and government persuasion -- Performance venues for (mostly) live popular music -- Disseminating popular music : pop and rock music concerts, festivals, and shows -- Disseminating popular music : audio and video recordings -- Vietnamese karaoke : place, pleasure, politics, and profit -- Conclusion : the politics and economics of popular music in Vietnam.
  • 系統號: 005270092
  • 資料類型: 圖書
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  • 引用網址: 複製連結
Based on the authorâe(tm)s research in Ho Chi Minh City, Hanoi, and other urban areas in Vietnam, this study of contemporary Vietnamese popular music explores the ways globalization and free market economics have influenced the music and subcultures of Vietnamese youth, focusing on the conflict between the politics of remembering, nurtured by the Vietnamese Communist government, and the politics of forgetting driven by the capitalist interests of the music industry. Vietnamese youth at the end of the second and beginning of the third millennium are influenced by the challenges generated by a number of seemingly opposite ideologies and realities, such as "the past" versus "the present," socialism versus capitalism, and cultural traditionalism versus globalization. Vietnam has undergone a radical demographic shift with a very pronounced youth movement, and consequently, Vietnamese popular culture has been radically reshaped by a young population coming of age in the twenty-first century. As Olsen reveals, the way Vietnamese young people cope with these opposing and contrasting forces is often expressed in their active and passive music making.
來源: Google Book
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