Flip the script :European hip hop and the politics of postcoloniality
- 作者: Rollefson, J. Griffith,
- 出版:
- 稽核項: x, 295 pages :illustrations ;23 cm.
- 叢書名: Chicago Studies in Ethnomusicology
- 標題: Postcolonialism and music. , African American influences. , Music Europe, Western -- African American influences. , Music , Hip-hop Europe, Western. , Hip-hop
- ISBN: 022649621X , 9780226496214
- ISBN: 9780226496351
- 附註: Includes bibliographical references and index. Introduction: hip hop as postcolonial art and practice -- "J'accuse": hip hop's postcolonial politics in Paris -- Nostalgia "en noir et blanc": Black music and postcoloniality from Sefyu's Paris to Buddy Bolden's New Orleans -- Musical (African) Americanization: strategic essentialism, hybridity, and commerce in Aggro Berlin -- Heisse Waren: hot commodities, "der Neger bonus," and the commercial authentic -- M.I.A.'s "terrorist chic": Black Atlantic music and South Asian postcolonial politics in London -- Marché noir: the hip hop hustle in the City of Light -- "Wherever we go": UKhip hop and the deformation of mastery -- "Straight outta B.C.": differance, defness, and Juice Aleem's precolonial Afrofuturist critique -- Conclusion: hip hop studies and/as postcolonial studies.
- 系統號: 005121975
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
In his history of hip-hop, ethnomusicologist J. Griffith Rollefson combines ethnography and music analysis to look at the three foundational cities in the hip-hop world of twenty-first century Europe. He first explores Paris's musical response to the National Front in France, then Turkish German groups in Berlin, and finally M.I.A. and other South Asian critiques in London. Throughout, Rollefson shows how African-American expressive cultures, especially rap music and hip-hop culture, are central to minority identity in the UK, France, and Germany, and how music plays a pivotal role as a point of political commentary and action. He offers great insight into cross-cultural and postcolonial minority experience and the paradoxes of Western modernity, such as the use of a commercialized music as a form of resistance. This engaging and provocative study helps to show how music can outline the cultural dimensions of ethnicity and race in the modern Western world.
來源: Google Book
來源: Google Book
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