In the process of becoming :analytic and philosophical perspectives on form in early nineteenth-century music

• 作者: Schmalfeldt, Janet,
• 出版:
• 稽核項: xi, 337 pages :illustrations, music, portraits. ;24 cm.
• 叢書名: Oxford studies in music theory
• 標題: History and criticism. , Music 19th century -- History and criticism. , Analysis, appreciation. , Music 19th century -- Analysis, appreciation. , Music , Musical form , Musical form History -- 19th century. , History
• ISBN: 0190258187 , 9780190258184
• 附註: Includes bibliographical references (p. 309-323) and index. Introduction: the idea of musical form as process -- The Beethoven-Hegelian tradition and the "Tempest" sonata -- The processual legacy of the late eighteenth century -- Beethoven's "Bridgetower" sonata, op. 47 -- On performance, analysis, and Schubert -- Music that turns inward : new roles for interior movements and secondary themes -- Mendelssohn the "Mozartean" -- ...sed non eodem modo : Chopin's ascending thirds progression and his Cello sonata, op. 65 -- Coming home.
• 摘要: With their insistence that form is a dialectical process in the music of Beethoven, Theodor Adorno and Carl Dahlhaus emerge as the guardians of a long-standing critical tradition in which Hegelian concepts have been brought to bear on the question of musical form. Janet Schmalfeldt's account of this Beethoven-Hegelian tradition restores to the term "form" some of its philosophical associations in the early nineteenth century, when profound cultural changes were yielding new relationships between composers and listeners, and when music itself became a topic for renewed philosophical investigation.--from publisher description.
• 系統號: 005195473
• 資料類型: 圖書
• 讀者標籤: 需登入
• 引用網址: 複製連結
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