Music and embodied cognition :listening, moving, feeling, and thinking
- 作者: Cox, Arnie,
- 出版:
- 稽核項: 288 pages :illustrations, music ;24 cm.
- 叢書名: Musical meaning and interpretation
- 標題: Emotions and cognition. , Philosophy and aesthetics. , Emotions in music. , Music , Music Philosophy and aesthetics. , Psychological aspects. , Music Psychological aspects.
- ISBN: 0253032318 , 9780253032317
- 附註: Includes bibliographical references and index. Mimetic comprehension -- Mimetic comprehension of music -- Metaphor and related means of reasoning -- Pitch height -- Temporal motion and musical motion -- Perspectives on musical motion -- Music and the external senses -- Musical affect -- Applications -- Review and implications.
- 系統號: 005272186
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Taking a cognitive approach to musical meaning, Arnie Cox explores embodied experiences of hearing music as those that move us both consciously and unconsciously. In this pioneering study that draws on neuroscience and music theory, phenomenology and cognitive science, Cox advances his theory of the "mimetic hypothesis," the notion that a large part of our experience and understanding of music involves an embodied imitation in the listener of bodily motions and exertions that are involved in producing music. Through an often unconscious imitation of action and sound, we feel the music as it moves and grows. With applications to tonal and post-tonal Western classical music, to Western vernacular music, and to non-Western music, Cox's work stands to expand the range of phenomena that can be explained by the role of sensory, motor, and affective aspects of human experience and cognition.
來源: Google Book
來源: Google Book
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