資料來源: Google Book

The Twentieth Century German Art exhibition :answering degenerate art in 1930s London

  • 作者: Wasensteiner, Lucy,
  • 出版:
  • 稽核項: ix, 234 pages :illustrations ;26 cm.
  • 叢書名: Routledge research in art museums and exhibitions
  • 標題: Entartete Kunst Exhibitions. , National socialism and art Exhibitions. , Twentieth Century German Art (1938 : London, England) History. , Art and society , Entartete Kunst , National socialism and art , Art and society England -- London -- 20th century.
  • ISBN: 1138544361 , 9781138544369
  • 附註: Includes bibliographical references and index. Outgrowth of the author's thesis (Ph. D.--Courtauld Institute of Art, 2016) under the title: Documents of a forgotten network : the loans to Twentieth century German art, London 1938.
  • 摘要: "This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition that was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest émigré projects of the period, which drew contributions from scores of German émigré collectors, dealers, art critics, and from the ‘degenerate’ artists themselves. The book explores the show’s potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself."--from Publisher
  • 系統號: 005273334
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
This book represents the first study dedicated to Twentieth Century German Art, the 1938 London exhibition which was the largest international response to the cultural policies of National Socialist Germany and the infamous Munich exhibition Degenerate Art. Provenance research into the catalogued exhibits has enabled a full reconstruction of the show for the first time: its contents and form, its contributors and their motivations, and its impact both in Britain and internationally. Presenting the research via six case-study exhibits, the book sheds new light on the exhibition and reveals it as one of the largest migr projects of the period, which drew contributions from scores of German migr collectors, dealers, art critics, and from the 'degenerate' artists themselves. The book explores the show's potency as an anti-Nazi statement, which prompted a direct reaction from Hitler himself.
來源: Google Book
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