資料來源: Google Book
Beyond scenography
- 作者: Hann, Rachel,
- 出版:
- 稽核項: vi, 155 pages ;29 cm.
- 標題: Motion pictures , Stage-setting and scenery. , Motion pictures Setting and scenery. , Theaters , Setting and scenery. , Theaters Stage-setting and scenery.
- ISBN: 1138785067 , 9781138785069
- ISBN: 9780429489136
- 附註: Includes bibliography and index. Place orientation, scenic politics and scenographics -- Scenography and the anglophone theatres -- Scenography beyond scenographers -- Scenography happens -- Scenographic worlding -- Scenographic cultures -- Scenographic architecture.
- 摘要: Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of'the scenic'- to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice.
- 系統號: 005261509
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Focused on the contemporary Anglophone adoption from the 1960s onwards, Beyond Scenography explores the porous state of contemporary theatre-making to argue a critical distinction between scenography (as a crafting of place orientation) and scenographics (that which orientate acts of worlding, of staging). With sections on installation art and gardening as well as marketing and placemaking, this book is an argument for what scenography does: how assemblages of scenographic traits orientate, situate, and shape staged events. Established stage orthodoxies are revisited - including the symbiosis of stage and scene and the aesthetic ideology of 'the scenic' - to propose how scenographics are formative to all staged events. Consequently, one of the conclusions of this book is that there is no theatre practice without scenography, no stages without scenographics. Beyond Scenography offers a manifesto for a renewed theory of scenographic practice for the student and professional theatrical designer.
來源: Google Book
來源: Google Book
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