Performing indigenous culture on stage and screen :a harmony of frenzy
- 作者: Schultz, Marianne,
- 出版:
- 稽核項: xiii, 242 pages :illustrations ;22 cm.
- 標題: Maori (New Zealand people) in the performing arts New Zealand -- History. , History. , Maori (New Zealand people) in the performing arts
- ISBN: 113759599X , 9781137595997
- 附註: Includes bibliographical references (pages 215-233) and index. Prologue/introduction -- Maori, New Zealand and empire on stage -- Alfred Hill and Princess Iwa: Maori music and musical hybridity -- Performing landscape, people and stories: Rotorua and the Reverend Frederick Augustus Bennett -- A harmony of frenzy: Maori in Manhattan 1909-1910 -- "Maori-land" on film -- Encore/conclusion.
- 摘要: "Examining corporeal expressions of indigenousness from an historical perspective, this book highlights the development of cultural hybridity in New Zealand via the popular performing arts, contributing new understandings of racial, ethnic, and gender identities through performance. The author offers an insightful and welcome examination of New Zealand performing arts via case studies of drama, music, and dance, performed both domestically and internationally. As these examples show, notions of modern New Zealand were shaped and understood in the creation and reception of popular culture. Highlighting embodied indigenous cultures of the past provides a new interpretation of the development of New Zealand's cultural history and adds an unexplored dimension in understanding the relationships between Māori and Pākehā throughout the late nineteenth and into the early twentieth centuries."--Amazon website.
- 系統號: 005057221
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Examining corporeal expressions of indigenousness from an historical perspective, this book highlights the development of cultural hybridity in New Zealand via the popular performing arts, contributing new understandings of racial, ethnic, and gender identities through performance. The author offers an insightful and welcome examination of New Zealand performing arts via case studies of drama, music, and dance, performed both domestically and internationally. As these examples show, notions of modern New Zealand were shaped and understood in the creation and reception of popular culture. Highlighting embodied indigenous cultures of the past provides a new interpretation of the development of New Zealand's cultural history and adds an unexplored dimension in understanding the relationships between M?ori (indigenous New Zealander) and P?keh? (non-M?ori) throughout the late nineteenth and into the early twentieth centuries.
來源: Google Book
來源: Google Book
評分