附註:Intro -- Contents -- Acknowledgments -- Note on Translation and East Asian Names -- Introduction: Toward a Critical East Asian Dance Studies | Emily Wilcox -- Part 1: Contested Genealogies -- Chapter 1. Sexuality, Status, and the Female Dancer: Legacies of Imperial China | Beverly Bossler -- Chapter 2. Mei Lanfang and Modern Dance: Transcultural Innovation in Peking Opera, 1910s-1920s | Catherine Yeh -- Chapter 3. The Conflicted Monk: Choreographic Adaptations of Si fan (Longing for the Mundane) in Japan's and China's New Dance Movements | Nan Ma -- Part 2: Decolonizing Migration -- Chapter 4. Murayama Tomoyoshi and Dance of Modern Times: A Forerunner of the Japanese Avant-garde | Kazuko Kuniyoshi -- Chapter 5. Korean Dance Beyond Koreanness: Park Yeong-in in the German Modern Dance Scene | Okju Son -- Chapter 6. Diasporic Moves: Sinophone Epistemology in the Choreography of Dai Ailian | Emily Wilcox -- Chapter 7. Choreographing Neoliberal Marginalization: Dancing Migrant Bodies in the South Korean Musical Bballae (Laundry) | Ji Hyon (Kayla) Yuh -- Part 3: Militarization and Empire -- Chapter 8. Masking Japanese Militarism as a Dream of Sino-Japanese Friendship: Miyako Odori Performances in the 1930s | Mariko Okada -- Chapter 9. Imagined Choreographies: Itō Michio's Philippines Pageant and the Transpacific Performance of Japanese Imperialism | Tara Rodman -- Chapter 10. Exorcism and Reclamation: Lin Lee-chen's Jiao and the Corporeal History of the Taiwanese | Ya-ping Chen -- Part 4: Socialist Aesthetics -- Chapter 11. Choe Seung-hui Between Classical and Folk: Aesthetics of National Form and Socialist Content in North Korea | Suzy Kim -- Chapter 12. The Dilemma of Chinese Classical Dance: Traditional or Contemporary? | Dong Jiang.
Chapter 13. Negotiating Chinese Identity through a Double-Minority Voice and the Female Dancing Body: Yang Liping's Spirit of the Peacock and Beyond | Ting-Ting Chang -- Part 5: Collective Technologies -- Chapter 14. Cracking History's Codes in Crocodile Time: The Sweat, Powder, and Glitter of Women Butoh Artists' Collective Choreography | Katherine Mezur -- Chapter 15. Fans, Sashes, and Jesus: Evangelical Activism and Anti-LGBTQ Performance in South Korea | Soo Ryon Yoon -- Chapter 16. Choreographing Digital Performance in Twenty-First-Century Taiwan: Huang Yi & -- KUKA | Yatin Lin -- Coda: To Dance East Asia | Katherine Mezur -- Contributors -- Index.
