Comparativism in art history
- 其他作者: Elsner, Jaś,
- 出版:
- 稽核項: x, 233 pages :illustrations ;26 cm.
- 叢書名: Studies in art historiography ;12
- 標題: Art, Comparative. , Historiography. , Art , Art Historiography.
- ISBN: 0367331144 , 9780367331146
- 附註: "An Ashgate book"--Cover. Paperback edition published in 2019 Includes bibliographical references and index. Introduction: some stakes of comparison / Stanley Abe and Jaś Elsner -- Our literal speed / Our Literal Speed -- Locations of comparison: some personal observations / Wu Hung -- Bivisibility: why art history is comparative / Whitney Davis -- Redundancy, transformation, impersonation / Margaret Olin -- The object in the comparative context / Ittai Weinryb -- Sculpture: a comparative history / Stanley Abe -- Intersecting historiographies: Henri Pirenne, Ernest Herzfeld, and the myth of origin / Avinoam Shalem -- Comparativism in anthropology: big questions and scaled comparison: an illusive dream? / Susanne Küchler -- Was the Knidia a statue? Art history and the terms of comparison / Richard Neer -- Christian Marclay's real-time fiction / Robert Slifkin -- Narrative, naturalism, and the body in classical Greek and early imperial Chinese art / Jeremy Tanner.
- 摘要: Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The essays assess the strengths and weaknesses of the comparative practice in the history of art, and consider the larger issue of the place of the comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields - in very different historical, geographic and cultural contexts - but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline - namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'Art History' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.
- 系統號: 005117488
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
Featuring some of the major voices in the world of art history, this volume explores the methodological aspects of comparison in the historiography of the discipline. The chapters assess the strengths and weaknesses of comparative practice in the history of art, and consider the larger issue of the place of comparative in how art history may develop in the future. The contributors represent a comprehensive range of period and geographic command from antiquity to modernity, from China and Islam to Europe, from various forms of art history to archaeology, anthropology and material culture studies. Art history is less a single discipline than a series of divergent scholarly fields - in very different historical, geographic and cultural contexts - but all with a visual emphasis on the close examination of objects. These fields focus on different, often incompatible temporal and cultural contexts, yet nonetheless they regard themselves as one coherent discipline - namely the history of art. There are substantive problems in how the sub-fields within the broad-brush generalization called 'art history' can speak coherently to each other. These are more urgent since the shift from an art history centered on the western tradition to one that is consciously global.
來源: Google Book
來源: Google Book
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