Jewish identities :nationalism, racism, and utopianism in twentieth-century music
- 作者: Moricz, Klara,
- 其他作者: UPSO (University Press Scholarship Online).
- 出版: Berkeley : University of California Press 2008.
- 稽核項: 1 online resource.
- 叢書名: California studies in 20th-century music ;8 , The S. Mark Taper Foundation imprint in Jewish studies
- 標題: Composers & Musicians. , Schoenberg, Arnold, 1874-1951 Criticism and interpretation. , 1900-1999 , Music , Bloch, Ernest , Criticism and interpretation. , Genres & StylesClassical. , Reference. , Nationalism in music. , Bloch, Ernest. , Criticism, interpretation, etc. , BIOGRAPHY & AUTOBIOGRAPHY , BIOGRAPHY & AUTOBIOGRAPHY Composers & Musicians. , Schoenberg, Arnold, , MusicHistory and criticism. , History and criticism. , Music 20th century -- History and criticism. , MUSIC , Electronic books. , Music. , Jews Music. , Jews , MUSIC Reference. , Jews Music -- History and criticism. , Bloch, Ernest Criticism and interpretation. , MUSIC Genres & Styles -- Classical. , Schoenberg, Arnold, 1874-1951.
- ISBN: 0520933680 , 9780520933682
- ISBN: 9780520250888 , 0520250885
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 401-415) and index. Jewish nationalism a la Russe : the Society for Jewish Folk Music. "Trifles of Jewish music" ; Zhidi and Yevrei in a neonationalist context -- Man's most dangerous myth : Ernest Bloch and racial thought. Racial mystique : anti-semitism and Ernest Bloch's theories of art ; Denied and accepted stereotypes : from Jezabel to Schelomo ; The confines of Judaism and the elusiveness of universality : the Sacred service -- Utopias/dystopias : Arnold Schoenberg's spiritual Judaism. Uneasy parallels : from German nationalism to Jewish utopia ; Torsos and abstractions : "music in its promised land" ; On the ashes of the Holocaust : anxiety, abstraction, and Schoenberg's rhetoric of fear ; A taste for "the things in heaven" : cleansing music of politics.
- 摘要: 'Jewish Identities' mounts a challenge to prevailing essentialist assumptions about 'Jewish music', which maintain that ethnic groups, nations or religious communities possess an essence that must manifest itself in art created by members of that group.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.jstor.org/stable/10.1525/j.ctt1pp27d
- 系統號: 005279391
- 資料類型: 電子書
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- 引用網址: 複製連結
Jewish Identities mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Klára Móricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, Móricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
來源: Google Book
來源: Google Book
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