Theorizing film through contemporary art :expanding cinema
- 其他作者: Murphy, Jill, , Rascaroli, Laura,
- 出版:
- 稽核項: 1 online resource.
- 叢書名: Film culture in transition
- 標題: Motion pictures , Art and motion pictures. , Motion pictures Philosophy. , Philosophy. , Electronic books. , PERFORMING ARTS / Film & Video / History & Criticism
- ISBN: 9048542022 , 9789048542024
- ISBN: 946298946X , 9789462989467
- 試查全文@TNUA:
- 附註: Includes bibliographical references and index.
- 摘要: As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? 'Theorizing Cinema through Contemporary Art: Expanding Cinema' considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.jstor.org/stable/10.2307/j.ctv17ppcz8
- 系統號: 005279412
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
As the cinematic experience becomes subsumed into ubiquitous technologies of seeing, contemporary artworks lift the cinematic from the immateriality of the film screen, separating it into its physical components within the gallery space. How do film theorists read these reformulations of the cinematic medium and their critique of what it is and has been? Theorizing Cinema through Contemporary Art: Expanding Cinema considers artworks that incorporate, restage, and re-present cinema's configurations of space, experience, presence/absence, production and consumption, technology, myth, perception, event, and temporality, thereby addressing the creation, appraisal, and evolution of film theory as channeled through contemporary art. Taking film theory as a blueprint for the moving image, and juxtaposing it with artworks that render cinema as a material object, this book unfolds a complex relationship between a theory and a practice that have often been seen as virtually incompatible, heightening our understanding of each and, more pertinently, their interactions.
來源: Google Book
來源: Google Book
評分
