附註:Introduction / Paulo de Assis -- part 1. Sonic nuptials : sounds and gestures of time. Deleuze's syntheses of time and their aesthetical prolongations : form, style, and achievement / Jean-Marc Chouvel -- When sounds encounter one another ... / Zsuzsa Baross -- Geomusic, ecosophy, and molecular oscillators / Ronald Bogue -- East meets West in France : catching the musical scent / Edward Campbell -- Topography of the (one) : reflections on musical time in composition and performance / Stefan Ostersjo, Christer Lindwall, Jorgen Dahlqvist -- In the (immanent) event of musical-philosophical thought / Steve Tromans -- Music as a reservoir of thought's materialisation : between Metastaseis and Modulor / Marianna Charitonidou -- Machinic propositions : artistic practice and deterritorialisation / Henrik Frisk, Anders Elberling -- A Ligetian way to make a piano (or a piano piece) stutter / Gustavo Rodrigues Penha -- When time begins to riot : rhythm and syncopation in the work of Jonathan Burrows and Matteo Fargion / Jonas Rutgeerts -- Anne Teresa De Keersmaeker : an unbridled activity of vital lines / Oleg Lebedev -- Sonic forms of capture / Terri Bird -- part 2. A little treatise on becomology. The wasp and the orchid : on multiplicities and becomology / Anne Sauvagnargues -- Beyond the death-drive, beyond the life-drive : being-toward-birthing with being-toward-birth; copoiesis and the matrixial Eros -- Metafeminist Notes / Bracha L. Ettinger -- Thought beyond research : a deleuzian critique of artistic research / Kamini Vellodi -- An avant-garde "without authority" : the posthuman cosmic artisan in the Anthropocene / jan jagodzinski -- Pure immanence and the algorithmic era : an aberrant nuptial / Emilia Marra -- Mining the aesthetico-conceptual : Deleuze, Derrida, and artistic research / Spencer Roberts -- Experimenting in relation to the Anthropocene : an image of earth-thought from a symptomatic Earth line / Paolo Vignola -- Logic of sens/ation : two conflicti
摘要:Aberrant Nuptials explores the diversity and richness of the interactions between artistic research and Deleuze studies. "Aberrant nuptials" is the expression Gilles Deleuze uses to refer to productive encounters between systems characterised by fundamental difference. More than imitation, representation, or reproduction, these encounters foster creative flows of energy, generating new material configurations and intensive experiences. Within different understandings of artistic research, the contributors to this book -- architects, composers, film-makers, painters, performers, philosophers, sculptors, and writers -- map current practices at the intersection between music, art, and philosophy, contributing to an expansion of horizons and methodologies. Written by musicians and artists who have been reflecting Deleuzian and Post-Deleuzian discourses in their artworks, and by established Deleuze scholars who have been working on interferences between art and philosophy, this volume reflects the current relevance of artistic research and Deleuze studies for the arts
