On the art of the no drama :the major treatises of Zeami
- 作者: Zeami,
- 其他作者: Yamazaki, Masakazu,
- 出版:
- 稽核項: 1 online resource (xlix, 298 pages, 12 unnumbered leaves of plates) :illustrations (some color).
- 叢書名: Princeton library of Asian translations
- 標題: PERFORMING ARTS Theater -- History & Criticism. , No. , TheaterHistory & Criticism. , PERFORMING ARTS , Electronic books.
- ISBN: 0691213305 , 9780691213309
- ISBN: 069110154X , 9780691101545 , 0691065829 , 9780691065823 , 006910154X , 9780069101542
- 試查全文@TNUA:
- 附註: Includes bibliographical references (pages 287-292) and index. The background of Zeami's treatises / J. Thomas Rimer -- The aesthetics of ambiguity: the artistic theories of Zeami / Yamazak Masakazu -- Texts used for the translations -- Notes on the treatises -- Teachings on style and the flower(Fushikaden) -- The true path to the flower(Shikado) -- A mirror held to the flower (Kakyo) -- Disciplines for the joy of art(Yugaku shudo fuken) -- Notes on the nine levels(Kyui) -- Finding gems and gaining the flower(Shugyoku tokka) -- The three elements in composing a play(Sando or Nosakusho) -- Learning the way(Shudosho) -- An account of Zeami's reflections on art(Sarugaku dangi) -- Glossaries. English-Japanese glossary ; Japanese-English glossary ; Important persons mentioned in the text ; List of plays and entertainments mentioned in the text.
- 摘要: This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
- 電子資源: https://dbs.tnua.edu.tw/login?url=https://www.jstor.org/stable/10.2307/j.ctvzsmfdp
- 系統號: 005279740
- 資料類型: 電子書
- 讀者標籤: 需登入
- 引用網址: 複製連結
This annotated translation is the first systematic rendering into any Western language of the nine major treatises on the art of the Japanese No theater by Zeami Motokivo (1363-1443). Zeami, who transformed the No from a country entertainment into a vehicle for profound theatrical and philosophical experience, was a brilliant actor himself, and his treatises touch on every aspect of the theater of his time. His theories, mixing philosophical and practical insights, often seem strikingly contemporary. Since their discovery early in this century. these secret treatises have been considered among the most valuable and representative documents in the history of Japanese aesthetics. They discuss subjects from the art of the playwright to the reciprocal nature of the relationship between performer and audience.
來源: Google Book
來源: Google Book
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