附註:Includes bibliographical references and index.
Precariousness in drama and theatre: an introduction / Mirela Aragay and Martin Middeke -- On the threshold: precarious hospitalities as utopian imaginings in Pornography, fewer emergencies and The American pilot / Mirela Aragay -- Staging terror and precariousness in Simon Stephens's Pornography and Mark Ravenhill's Shoot/Get treasure/Repeat / Enric Monforte -- Staging Hobbes, or: Theseus goes to the theatre. Precariousness, cultural memory and dystopia in Philip Ridley's Mercury fur / Christian Attinger -- Jez Butterworth's Jerusalem and postmodern precariousness / David Kerler -- Precarious virtuality in participatory theatre: Tim Crouch's The author / Christoph Henke -- "We're all in this together": reality, vulnerability and democractic representation in Tim Crouch's The author / Cristina Delgado-Garcia -- Promises of the real? The precariousness of verbatim theatre and Robin Soans's Talking to terrorists / Bettina Auerswald -- Spaces for the construction of community: the theatre uncut phenomenon / José R. Prado -- Living in liquid times: precariousness and plasticity in forced entertainment's Tomorrow's parties / Adina Sorian -- Bridging precariousness and precarity: ecstasy and bleeding across in the work of David Greig and suspect culture / Verónica Rodríguez -- Precariousness of love and shattered subjects in Dennis Kelly's Love and money / Elżbieta Baraniecka -- Ethics, precariousness and the "inclination" towards the other in Debbie Tucker Green's Dirty butterfly, Laura Wade's Posh and Martin Crimp's In the republic of happiness / Clara Escoda -- Vulnerability and the community of the precarious in David Greig's The events / Martin Riedelsheimer -- The inoperative community and death: ontological aspects of the precarious in David Greig's The events and Caryl Churchill's Here we go / Martin Middeke.
摘要:Drawing on the philosophies of Judith Butler, Jacques Derrida, Emmanuel Levinas and Jean-Luc Nancy, this volume examines the ways in which contemporary British drama and theatre engage with 'the precarious'. The analysis of a wide range of plays shows that contemporary (British) drama and theatre often realise their thematic and formal/structural potential to the full by reflecting upon the category and the episteme of precariousness.
