資料來源: Google Book

Theater, garden, bestiary :a materialist history of exhibitions

  • 其他作者: Garcia, Tristan, , Normand, Vincent, , École cantonale d'art de Lausanne, , Haute école spécialisée de Suisse occidentale.
  • 出版:
  • 稽核項: 308 pages :illustrations (some color) ;28 cm.
  • 標題: Art , Exhibitions , Exhibitions Social aspects -- History. , ExhibitionsSocial aspectsHistory. , Natural history Exhibitions -- Social aspects -- History. , Museum exhibits Social aspects -- History. , Art Exhibitions -- Social aspects -- History. , Museum exhibits , Natural history , Social aspectsHistory.
  • ISBN: 3956794559 , 9783956794551
  • 附註: Outgrowth of a research project of the same name conducted by HES-SO/University of Applied Sciences and Arts Western Switzerland and ECAL/University of Art and Design Lausanne from November 2015 to March 2017. (Foreword) Includes bibliographical references. Foreword / Stéphanie Moisdon -- Introduction / Tristan Garcia and Vincent Normand -- Nymphéas transplant / Pierre Huyghe -- I. Frame and stage : enclosing the subject. Concepts for the critical study of art exhibitions as media / Kim West ; Theatricality, autonomy, negativity / conversation with Juliane Rebentisch ; Anatomy theater : the order of curiosity / Rafael Mandressi ; Exposability : on the taking-place in future of art / Lucy Steeds ; Looking at animals / Filipa Ramos ; Apparatus and form : the split identity of the exhibition / Vincent Normand ; Folded cuts / Etienne Chambaud -- II. The site of soght : carving the object. Seeing, showing, ordering : notes on a natural history of exhibiting / João Ribas ; On the aestheticization, institutionalization, and dramatization of the concept of nature / conversation with Olivier Surel and Charles Wolfe ; Exposition/exhibition : the French salons / Stéphane Lojkine ; Compensatory postures : on natural history, necroaesthetics, and humiliation / Anna-Sophie Springer and Etienne Turpin ; The exhibition as parergon of artworks : Russian avant-garde experiments / Elitza Dulguerova ; Neither gesture nor work of art : exhibition as disposing for appearance / Tristan Garcia ; Anamazon / Pamela Rosenkranz -- III. The exhibition-form : spatializing the concept. Blank space : about the white cube and the generic condition of contemporary art / Jeremy Lecomte ; Exhibiting and sensibilizing : recontextualizing "Les Immatériaux" / Yuk Hui ; Self-expropriated museums / Anselm Franke ; Art institutions as ritual spaces : a brief genealogy of gatherings / Dorothea von Hantelmann ; How to exhibit the spatialization of history? / Sami Khatib ; The exhibition-form and the space-time of the artwork : a retroactive ontology / conversation with Peter Osborne ; The form of not (axiom) / Fabien Giraud & Raphaël Siboni.
  • 摘要: This volume gathers and expands upon the results of the research project "Theater, Garden, Bestiary: A Materialist History of Exhibitions," held at ÉCAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site.
  • 系統號: 005117690
  • 資料類型: 圖書
  • 讀者標籤: 需登入
  • 引用網址: 複製連結
Proposing a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. This volume gathers and expands upon the results of the research project “Theater, Garden, Bestiary: A Materialist History of Exhibitions,” held at ECAL/University of Art and Design Lausanne, and proposes a history of exhibitions sourced from a wide corpus reaching beyond the framework of art institutions. It undertakes a transdisciplinary history at the nexus of art history, science studies, and philosophy, exploring the role the exhibition played in the construction of the conceptual categories of modernity, and outlines a historiographical model that conceptualizes the exhibition as both an aesthetic and an epistemic site. Contributors Etienne Chambaud, Elitza Dulguerova, Anselm Franke, Tristan Garcia, Fabien Giraud & Raphaël Siboni, Dorothea von Hantelmann, Yuk Hui, Pierre Huyghe, Sami Khatib, Jeremy Lecomte, Stéphane Lojkine, Rafael Mandressi, Vincent Normand, Peter Osborne, Filipa Ramos, Juliane Rebentisch, João Ribas, Pamela Rosenkranz, Anna-Sophie Springer, Lucy Steeds, Olivier Surel, Etienne Turpin, Kim West, Charles Wolfe
來源: Google Book
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