The Routledge companion to the contemporary musical
- 其他作者: Sternfeld, Jessica, , Wollman, Elizabeth L.,
- 出版:
- 稽核項: x, 486 pages :illustrations ;27 cm.
- 叢書名: Routledge music companions
- 標題: Musicals History and criticism. , History and criticism. , Musicals
- ISBN: 1138684619 , 9781138684614
- 附註: Includes bibliographical references and index.
- 摘要: The Routledge Companion to the Contemporary Musical is dedicated to the musical’s evolving relationship to American culture in the late twentieth and early twenty-first centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the interdisciplinary field of musical theater studies. Musicals have served not only to mirror the sociopolitical, economic, and cultural tenor of the times, but have helped shape and influence it, in America and across the globe: a genre that may seem, at first glance, light-hearted and escapist serves also as a bold commentary on society. Forty-four essays examine the contemporary musical as an ever-shifting product of an ever-changing culture. This volume sheds new light on the American musical as a thriving, contemporary performing arts genre, one that could have died out in the post-Tin Pan Alley era but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway—the idea, if not the place—and thus branded as a quintessentially American entertainment.
- 系統號: 005280514
- 資料類型: 圖書
- 讀者標籤: 需登入
- 引用網址: 複製連結
The Routledge Companion to the Contemporary American Stage Musical is dedicated to the stage musical¿s changing, evolving relationship to American culture in the very late 20thand early 21st centuries. In the past decade-and-a-half, international scholars from an ever-widening number of disciplines and specializations have been actively contributing to the burgeoning, consciously interdisciplinary field of musical theater studies. American musicals have served to mirror the sociopolitical, economic, and cultural tenor of the times¿not just reflecting culture, they have helped shape and influence it. A genre that may seem, at first glance, to be light-hearted and escapist serves also as a bold commentary on society. Forty-five essays examine the American stage musical as an ever-shifting product of an ever-changing culture, and collectively shed new light on the American musical as a thriving, contemporary performing arts genre that could have died out in the post-Tin Pan Alley era, but instead has managed to remain culturally viable and influential, in part by newly embracing a series of complex contradictions. At present, the American stage musical is a live, localized, old-fashioned genre that has simultaneously developed into an increasingly globalized, tech-savvy, intensely mediated mass entertainment form. Similarly, as it has become increasingly international in its scope and appeal, the stage musical has also become more firmly rooted to Broadway¿the idea, if not the place¿and thus branded as a quintessentially American entertainment.
來源: Google Book
來源: Google Book
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